The doctrine of courtesy in religious matters had risen in the Roman mind, to a theory of religious syncretism, which offered recognition to other religions outside the Roman. The religions of the Orient and of Egypt already had a place and protection at Rome. These, like the citizens of the lands whence they came, were taken in charge by the laws of the Mistress of the World. By the opening of the fourth century, Christianity had gained such influence and standing that, although it had no claims as an ethnic religion, it was too promising a waif to be longer unnoticed. The great empire was conscious of present decline and coming decay. New blood was an imperative necessity; perhaps this new religion, that had given such power of endurance to its votaries, would furnish the needful help.

This recognition, at first, was not in any true sense toleration, nor a full recognition of the freedom of conscience. It was rather such recognition as the foreman gives to the apprentice: “Come in and show what you can do.” In this recognition Rome adopted no new policy, neither gave evidence of any genuine faith in Apostolic Christianity. As late as 321 A.D., not more than one-twentieth part of the people were Christians; and Constantine, erroneously called “The first Christian emperor,” did not make an open confession of Christianity, until he lay on his death-bed in 337 A.D. Christianity was taken under the protection of the empire, to be cared for and controlled according to the genius of Roman history and Roman law. The “Christian emperors,” from Constantine to Gratian (312-383), retained the title of “Pontifex Maximus.” The visiting of heathen temples for religious purposes, and the performance of heathen rites in private, were not prohibited by imperial law until 391-393 A.D. by Theodosius. Nor were these laws then enforced where the heathen element was in the ascendency. Theodosius himself was not deemed an enemy of the old religion; he stood in such favor that the senate enrolled him among the gods, after his death, in 395 A.D.

Instead of developing normally, after the simple New Testament model, the Roman church was modelled largely after the Roman empire. The union once begun, political intrigue and religious degeneracy followed in rapid succession. All civil legislation in matters of religion pushes the divine authority aside, and substitutes the human. This creates conscience, if at all, toward the state alone, and so remains on heathen ground.

Thus, by descending from the high ground of the Apostolic period, from the immediate control and direction of the Holy Spirit, to the control of a heathen state-system, and being already weakened by the false philosophies which had driven out the authority of the Word, Christianity was turned far away from its true status and character. The legislation which followed, concerning festivals, ceremonies, and doctrines, was a medley of paganism and Christianity, truth and error, widely removed from the Sermon on the Mount, and the epistles of Paul. The kernel of Papal error, and the fountain which was the source of the Dark Ages, are both involved in the fundamental perversions of Apostolic Christianity.

Since the emperor was, ex officio, the head of the Department of Religion, it was comparatively easy to accomplish the amalgamation of the different systems. Gibbon gives an outline picture of this tendency as it prevailed during the third century. It was the more destructive to Christianity because of the degraded character of the emperors and those who controlled the public life of the empire. The emperor of whom Gibbon writes below, is described by Schaff as follows:

“The abandoned youth El-Gabal, or Heliogabalus (218-222), who polluted the throne by the blackest vices and follies, tolerated all the religions in the hope of at last merging them in his favorite Syrian worship of the sun, with its abominable excesses. He himself was a priest of the god of the sun, and thence took his name.

“His far more worthy cousin and successor, Alexander Severus (222-235), was addicted to a higher kind of religious eclecticism and syncretism, a pantheistic hero-worship. He placed the busts of Abraham and Christ in his domestic chapel, with those of Orpheus, Apollonius of Tyana, and the better Roman emperors, and had the Gospel rule, ‘As ye would that men should do to you, do ye even so to them,’ engraven on the walls of his palace and on public monuments. His mother, Julia Mammæa, was a patroness of Origen.”[179]

Gibbon says of this period:

“The sun was worshipped at Emesa, under the name of Elagabalus, and under the form of a black conical stone, which, as it was universally believed, had fallen from heaven on that sacred place. To this protecting deity Antoninus, not without some reason, ascribed his elevation to the throne. The display of superstitious gratitude was the only serious business of his reign. The triumph of the god of Emesa over all the religions of the earth, was the great object of his zeal and vanity; and the appellation of Elagabalus (for he presumed, as pontiff and favorite to adopt that sacred name) was dearer to him than all the titles of Imperial greatness. In a solemn procession through the streets of Rome, the way was strewed with gold-dust; the black stone, set in precious gems, was placed on a chariot, drawn by six milk-white horses, richly caparisoned. The pious emperor held the reins, and supported by his ministers, moved slowly backwards, that he might perpetually enjoy the felicity of the divine presence. In a magnificent temple raised on the Palatine Mount, the sacrifices of the god Elagabalus were celebrated with every circumstance of cost and solemnity. The richest wines, the most extraordinary victims, and the rarest aromatics, were profusely consumed on his altar. Around the altar, a chorus of Syrian damsels performed their lascivious dances to the sound of barbarian music, whilst the gravest personages of the state and army, clothed in long Phœnician tunics, officiated in the meanest functions, with affected zeal and secret indignation.

“To this temple, as to the common center of religious worship, the Imperial fanatic attempted to remove the Ancilia, the Palladium, and all the sacred pledges of the faith of Numa. A crowd of inferior deities attended in various stations the majesty of the god of Emesa; but his court was still imperfect, till a female of distinguished rank was admitted to his bed. Pallas had been first chosen for his consort; but, as it was dreaded lest her warlike terrors might affright the soft delicacy of a Syrian deity, the Moon, adored by the Africans under the name of Astarte, was deemed a more suitable companion for the Sun. Her image, with the rich offerings of her temple as a marriage portion, was transported with solemn pomp from Carthage to Rome, and the day of these mystic nuptials was a general festival in the capital and throughout the empire.”[180]