Fortune in this mortal race
Builds on thwackings for its base;
Thus the All-Wise doth make a flail a staff,
And separates his heavenly corn from chaff.[8]
Reward may follow on such absolute obedience (quatrain 40). We remember what is said by Fra Giovanni in the prison of Viterbo[9]: "Endurez, souffrez, acceptez, veuillez ce que Dieu veut, et votre volonté sera faite sur la terre comme au ciel." And perhaps the dawn for you may be your camel's dawn (quatrain 41); it was usual for Arabs on the point of death to say to their sons: "Bury my steed with me, so that when I rise from the grave I will not have to go on foot." The camel was tied with its head towards its hind legs, a saddle-cloth was wrapped about its neck, and it was left beside the grave until it died. Meanwhile, if the master is a true believer, says Mahomet, his soul has been divided from the body by Azrael, the angel of death. Afterwards the body is commanded to sit upright in the grave, there to be examined by the two black angels, Monkar and Nakyr (quatrain 42), with regard to his faith, the unity of God and the mission of Mahomet. If the answers be correct, the body stays in peace and is refreshed by the air of paradise; if incorrect, these angels beat the corpse upon his temples with iron maces, until he roars out for anguish so loudly that he is heard by all from east to west, except by men and jinn. Abu'l-Ala had little confidence in these two angels; he reminds one of St. Catherine of Sienna, a visionary with uncommon sense, who at the age of eight ran off one afternoon to be a hermit. She was careful to provide herself with bread and water, fearing that the angels would forget to bring her food, and at nightfall she ran home again because she was afraid her parents would be anxious. With regard to the angel of death, Avicenna has related that the soul, like a bird, escapes with much trouble from the snares of earth (quatrain 43), until this angel delivers it from the last of its fetters. We think of the goddess Rân with her net. Death is imagined (quatrain 44) as a fowler or fisher of men, thus: "Dô kam der Tôt als ein diep, und stal dem reinen wîbe daz leben ûz ir lîbe."[10]
On account of its brilliance a weapon's edge (quatrain 46) has been compared in Arab poetry with sunlit glass, with the torch of a monk, with the stars and with the flame in a dark night. Nor would an Arab turn to picturesque comparisons in poetry alone. Speaking of a certain letter, Abu'l-Ala assures the man who wrote it that "it proceeds from the residence of the great doctor who holds the reins of prose and verse" (quatrain 50). Now with regard to glass, it was a very ancient industry among the Arabs. In the second century of the Hegira it was so far advanced that they could make enamelled glass and unite in one glass different colours. A certain skilled chemist of the period was not only expert in these processes (quatrain 52), but even tried to make of glass false pearls, whereon he published a pamphlet.
Death, from being a silent messenger who punctually fulfilled his duty, became a grasping, greedy foe (quatrain 56). In the Psalms (xci. 3-6) he comes as a hunter with snares and arrows. Also "der Tôt wil mit mir ringen."[11] In ancient times Death was not a being that slew, but simply one that fetched away to the underworld, a messenger. So was the soul of the beggar fetched away by angels and carried into Abraham's bosom. An older view was the death-goddess, who receives the dead men in her house and does not fetch them. They are left alone to begin the long and gloomy journey, provided with various things.[12] "Chacun remonte à son tour le calvaire des siècles. Chacun retrouve les peines, chacun retrouve l'espoir désespéré et la folie des siècles. Chacun remet ses pas dans les pas de ceux qui furent, de ceux qui luttèrent avant lui contre la mort, nièrant la mort,—sont morts"[13] (quatrain 57). It is the same for men and trees (quatrain 59). This vision of Abu'l-Ala's is to be compared with Milton's "men as trees walking," a kind of second sight, a blind man's pageant. In reference to haughty folk, an Arab proverb says that "There is not a poplar which has reached its Lord." But on the other hand, "There are some virtues which dig their own graves,"[14] and with regard to excessive polishing of swords (quatrain 60) we have the story of the poet Abu Tammam, related by Ibn Khallikan. He tells us how the poet once recited verses in the presence of some people, and how one of them was a philosopher who said, "This man will not live long, for I have seen in him a sharpness of wit and penetration and intelligence. From this I know that the mind will consume the body, even as a sword of Indian steel eats through its scabbard." Still, in Arabia, where swords were so generally used that a priest would strap one to his belt before he went into the pulpit, there was no unanimous opinion as to the polishing,—which, by the way, was done with wood. A poet boasted that his sword was often or was rarely polished, according as he wished to emphasise the large amount of work accomplished or the excellence of the polishing. Imru'al-Kais says that his sword does not recall the day when it was polished. Another poet says his sword is polished every day and "with a fresh tooth bites off the people's heads."[15] This vigour of expression was not only used for concrete subjects. There exists a poem, dating from a little time before Mahomet, which says that cares (quatrain 62) are like the camels, roaming in the daytime on the distant pastures and at night returning to the camp. They would collect as warriors round the flag. It was the custom for each family to have a flag (quatrain 65), a cloth fastened to a lance, round which it gathered. Mahomet's big standard was called the Eagle,—and, by the bye, his seven swords had names, such as "possessor of the spine."
With quatrain 68 we may compare the verses of a Christian poet, quoted by Tabari:
And where is now the lord of Hadr, he that built it and laid
taxes on the land of Tigris?
A house of marble he established, whereof the covering was
made of plaster; in the galbes were nests of birds.
He feared no sorry fate. See, the dominion of him has departed.
Loneliness is on his threshold.
"Consider how you treat the poor," said Dshafer ben Mahomet, who pilgrimaged from Mecca to Baghdad between fifty and sixty times; "they are the treasures of this world, the keys of the other." Take care lest it befall you as the prince (quatrain 69) within whose palace now the wind is reigning. "If a prince would be successful," says Machiavelli, "it is requisite that he should have a spirit capable of turns and variations, in accordance with the variations of the wind." Says an Arab mystic, "The sighing of a poor man for that which he can never reach has more of value than the praying of a rich man through a thousand years." And in connection with this quatrain we may quote Blunt's rendering of Zohair:
I have learned that he who giveth nothing, deaf to his
friends' begging,
loosed shall be to the world's tooth-strokes: fools'
feet shall tread on him.
As for the power of the weak, we have some instances from Abbaside history. One of the caliphs wanted to do deeds of violence in Baghdad. Scornfully he asked of his opponents if they could prevent him. "Yes," they answered, "we will fight you with the arrows of the night." And he desisted from his plans. Prayers, complaints, and execrations which the guiltless, fighting his oppressor, sends up to heaven are called the arrows of the night and are, the Arabs tell us, invariably successful. This belief may solace you for the foundation of suffering (quatrain 71), which, by the way, is also in the philosophic system of Zeno the Stoic. Taking the four elements of Empedocles, he says that three of them are passive, or suffering, elements while only fire is active, and that not wholly. It was Zeno's opinion that everything must be active or must suffer. . . . An explanation for our suffering is given by Soame Jenyns, who flourished in the days when, as his editor could write, referring to his father Sir Roger Jenyns, "the order of knighthood was received by gentlemen with the profoundest gratitude." Soame's thesis is his "Free Inquiry into the Nature and Origin of Evil," that human sufferings are compensated by the enjoyment possibly experienced by some higher order of beings which inflict them, is ridiculed by Samuel Johnson. We have Jenyns's assurance that
To all inferior animals 'tis given
To enjoy the state allotted them by Heav'n.