It appears from Henderson’s Folk-lore of the Northern Counties, that in Europe a candle of human fat is used with the Hand of Glory by robbers for the purpose of preventing the inmates of a house from awaking. He gives several instances of its use. The following will serve as a specimen: “On the night of the 3rd of January 1831, some Irish thieves attempted to commit a robbery on the estate of Mr. Napier of Loughcrew, county Meath. They entered the house armed with a dead man’s hand with a lighted candle in it, believing in the superstitious notion that a candle placed in a dead man’s hand will not be seen by any but those by whom it is used, and also that if a candle in a dead hand be introduced into a house, it will prevent those who may be asleep from awaking. The inmates however, were alarmed, and the robbers fled, leaving the hand behind them.” The composition of the candle is evident from the following extract from the Dictionnaire Infernal of Colin de Planey. “The Hand of Glory is the hand of a man who has been hanged, and is prepared in the following manner. Wrap the hand in a piece of winding-sheet, drawing it tight to squeeze out the little blood which may remain; then place it in an earthen-ware vessel with saltpetre, salt and long pepper all carefully and thoroughly powdered. Let it remain a fortnight in this pickle till it is well dried, then expose it to the sun in the dog-days till it is completely parched, or if the sun be not powerful enough, dry it in an oven heated with vervain and fern. Next make a candle with the fat of a hanged man, virgin wax, and Lapland sesame. The Hand of Glory is used to hold this candle when it is lighted. Wherever one goes with this contrivance, those it approaches are rendered as incapable of motion as though they were dead.” Southey in Book V of his Thalaba the Destroyer represents a hand and taper of this kind as used to lull to sleep Zohak, the giant keeper of the caves of Babylon. (See the extracts from Grose and Torquemada in the notes to Southey’s poem.) Dousterswivel in Sir Walter Scott’s Antiquary tells us that the monks used the Hand of Glory to conceal their treasures. (Henderson’s Folk-lore of the Northern Counties of England and the Borders, p. 200 and ff.)
Preller, in his Römische Mythologie, p. 488, has a note on incubones or treasure-guarding spirits. Treasures can often be acquired by stealing the caps worn by these incubones as a symbol of their secret and mysterious character. See also the Pentamerone of Basile, p. 96; Grohmann, Sagen aus Böhmen, p. 29 and ff; Bernhard Schmidt’s Griechische Märchen, p. 28. The bug-bears were no doubt much of the kind found in Schöppner’s Sagenbuch der Bayerischen Lande, Vol. I, p. 87. For the “hand of glory” see Baring Gould’s Curious Myths of the Middle Ages, pp. 405–409. Brand in his Popular Antiquities Vol. I, p. 312, quotes from Bergerac’s Satirical Characters and Handsome descriptions in his Letters translated out of the French by a Person of Honour, 1658, p. 45, “I cause the thieves to burn candles of dead men’s grease to lay the hosts asleep while they rob their houses.” A light has this property in Waldau’s Böhmische Märchen, p. 360; and in Kuhn’s Westfälische Märchen, Vol. I, p. 146.
[9] There is probably a pun too on varti, the wick of a lamp.
[10] Literally “made by the gods.”
[11] i. e. prabhutva, the majesty or pre-eminence of the king himself; mantra, the power of good counsel; utsáha energy.
[12] Cp. Odyssey, VII. 116; Spenser’s Faery Queene, III, 6, 42.
[13] The pun here lies in the word kalá, which means “accomplishment,” and also a sixteenth of the moon’s diameter.
[14] This lotus is a friend of the moon’s and bewails its absence.
[15] Or perhaps books.
[16] I read virága-vishabhṛid.