Ont-ils bien bouté sous le nez?...
Autant en emporte le vent!”
Solomon, the type of human greatness, is the King whose mastery has left nothing behind. He harnessed the wind as a steed to his chariot, he spoke with the birds in their own tongue, and the wise and magnificent Assaf was his minister. Upon his seal was engraved the name of God which is unknown to men and before which the Jinn and the Angels must bow down. It was with this seal that he fastened up the bottles in which he imprisoned the Jinn—those bottles which the fishermen in the “Arabian Nights” pull up in their nets.
IX
Stanza 1.—This poem is addressed to the Vizir of Sultan Oweis of Baghdad, Hadji Kawameddin, who founded a college for Hafiz in Shiraz. With true Persian exaggeration the poet must needs write to his patron much in the same terms in which a lover would write to his mistress; but his words, though they sound strangely to our ears, are nothing more than the Oriental way of saying, “Awake, my St. John!”
The mystical interpretation of the first few lines is said to be: As the wine glows in the cup like the reflection of a ruddy cheek, so in the goblet of my heart I have seen the reflection of God, the true Beloved.
Stanza 6.—It is related that upon a certain occasion when Hafiz was feasting with the Vizir in the latter’s garden, a servant handed to him a goblet of wine, and as he took it he saw in it the reflection of the crescent moon overhead. The incident suggested this verse to him. I should say that the anecdote was of doubtful authenticity.
X
This song is not to be found in the best editions of the Divan, and is believed to be spurious; but it is printed in most of the popular editions, and is as widely known as any of the poems which pass with a better right under the name of Hafiz. It is set to a soft and well-nigh tuneless air which sounds like dream music, or the echo of something very beautiful coming from a great distance, the singer ending on an almost whispered repetition of the first exquisite phrase. I have been told that the boatmen on the Ganges sing it as they row, and the monotonous accompaniment of the water under the oars must be even more fitting to the melody than that of the lute strings.