[v:3] The term Jig will be afterwards explained.
[vi:1] A Knack to know a Knaue.—Alleyn was concerned in several theatres: the Company mentioned above seems to have acted at the Rose.
[vi:2] Collier’s Hist. of Engl. Dram. Poet. i. 297, 298.
[vi:3] In the second 4to. of the former play, 1599, and in the only 4to. of the latter, 1600, “Kemp” is prefixed to some speeches of Peter and Dogberry.
[vii:1] What character is uncertain: see the names of “The principall Comœdians” at the end of the play in B. Jonson’s Workes, 1616, fol.
[vii:2] See pp. 1, 2, 19.
[vii:3] Liber C. fol. 58 b.
[viii:1] Act iv. sc. 4.—Works, ii. 165, ed. Gifford.
[viii:2] On the Famous Voyage, Ibid. viii. 242.
[viii:3] Sig. F. 8.—In Dekker’s Owles Almanacke, 1618, 4to, under “A memoriall of the time sithence some strange and remarkeable Accidents vntill this yeare 1617,” we find “Since the horrible dance to Norwich ... 14 [years].” Sig. B. 4,—a mistake either of the author or printer. Allusions to Kemp’s morris may also be found in Dekker and Webster’s Westward Ho, 1607, Act v. sc. 1,—see my ed. of Webster’s Works, iii. 103; and in Old Meg of Herefordshire for a Mayd Marian, and Hereford Towne for a Morris Daunce, &c. 1609, 4to.,—see p. 10 of reprint in Miscell. Ant. Anglic. 1816.