CHAPTER VI
Hail! venerable pile! with awe I tread The sacred mansion of th' illustrious dead! Where rise, o'er forms now mould'ring into dust, The “storied urn” and “animated West.”— Beneath the fretted dome, aspiring high, Here monarchs, heroes, poets, sages, lie! “Deaf the prais'd ear, and mute the tuneful tongue,” Here sleeps the bard with those whom erst he sung; And all consigned to one impartial doom, Lo! kings and subjects levelled in the tomb!
IN a perambulation westward, our friends shortly reached the precinct of Westminster Abbey, or the collegiate Church of Saint Peter; the most ancient religious structure in the metropolis.
Divested of fabulous narration, its history is briefly as follows. Its name is obviously derived from its situation, in the west, and from its original destination as the church of a monastery. It was founded by Sebert, king of the East Saxons; was destroyed afterwards by the Danes; was subsequently re-built by king Edgar in 958; the church was again re-built by Edward the Confessor in 1065; and by Pope Nicholas II. it was constituted a place of inauguration of the English Monarchs. Henry III. re-built it from the ground, and Henry VII. added a magnificent chapel at the east end of it. The monastery was surrendered by the abbot and monks to Henry VIII. who first converted it into a college of secular canons, and afterwards into a cathedral, of which the county of Middlesex was the see. His successor, Edward VI. dissolved the see, and restored the college, which was again converted by Mary into an abbey. That institution was dissolved by Elizabeth in 1560; she founded the present establishment, which is a college consisting of a dean, 12 secular canons, and 30 petty canons; to which is attached a school of 40 boys, denominated the Queen's or King's scholars, with a master and usher; and also twelve alms-men, an organist, and choristers.
Its greatest length is 489 feet; the breadth of the west front 66 feet; the length of the cross aisle 189 feet; and the height of the roof 92 feet; the west end is adorned with two towers, which were built by Sir Christopher Wren. The nave and cross aisles are supported by two rows of arches, of Sussex marble, one above the other, each of the pillars of which is a union of one massy round pillar, and tour others of a similar form, but slender. These aisles are lofty, and each of the small pillars being extended from the base to the roof, they produce an idea at once sublime and awful. Besides the cross aisle there are two side aisles, which are lower than the nave; and, being in a just proportion, they unite with the other parts of the edifice to produce a harmonious effect. The choir, from which there is an ascent by several steps to a magnificent altar-piece of white marble, is divided from the western part of the great aisle by two iron gates, and is perhaps the most beautiful choir in Europe: its roof was materially injured by fire, occasioned by the carelessness of the plumbers who were repairing it in 1803, but it has since been completely restored, at an expence of upwards of £4000. In this choir is performed the coronation of the Kings and Queens of England.
This succinct account will not prove unacceptable, we hope, to our readers.
The attractive spot at the southern extremity of the cross aisle was now entered by the two friends. “This,” said Dashall, “is called Poet's Corner, and never could a place be named with more propriety.”
Tallyho cast an eye of intense observation on these sacred records of departed excellence. Here he found the names of Chaucer, Spenser, Shakespeare, Johnson, Milton, Dryden, Butler, Thomson, Gay, Goldsmith, &c. There also, as though the spot were dedicated to genius of the highest rank, are the tombs of Handel and Garrick. The Squire in his admiration of the British Poets, now gave full scope to the ardency of his feelings, and surrounded by the sculptured images of the bards of former days, he seemed as if environed by a re-animated constellation of genius, and wrapt in the delirium of its inspiritive influence.
Westminster Abbey contains a great number of monuments of kings, statesmen, heroes, poets, and persons distinguished by genius, learning, and science; but many of these monuments can be regarded as little better than so many disfigurements of the buildings. Some however are to be spoken of with praise, and the best are the productions of Reubilliac and Bacon.