This question was instantly answered by the accustomed mark of respect.
“Genteelmans at de window, and peoples on de street, my leetel drommer no love de cook,—no show her de respect dat he show you—he know dat de cook be no friend of de pauvre hare; “—then turning towards the animal, —“Vat,” said he, “must I speak all de tanks mineself?”
In deficiency of speech, the animal reiterated its obeisances— “Diable!” exclaimed the exhibiter—“here comes de cook, to kill and spit you!”
The hare instantly hastened to its hiding place, and thus terminated the exhibition.
“This epitome of the world,” observed Tallyho, “lacks nothing to gratify every sense of man! Here industry is on the alert to accumulate wealth, and dissipation in haste to spend it. Here riot and licentiousness roll triumphantly in gilded state, while merit pines in penury and obscurity;—and here ingenuity roams the streets for a scanty and precarious subsistence, exhibiting learned pigs, dogs, and so forth, that will cast accounts with the precision of an experienced arithmetician; and a tame hare that will beat a drum, and make a bow more gracefully than a dancing-master. This last instance of human ingeniousness, by which the poor Frenchman picks up a living, would almost induce a belief that the power of art is unlimitable, and that apparently insurmountable difficulties may be overcome by diligent perseverance!—Who, besides this foreigner, would have thought of divesting a hare of its natural timidity, and rendering it subservient, by a display of intelligence, to the acquirement of his subsistence?”
“And who,” said Dashall, “would have thought, but a German, of training canary-birds to imitate military evolution,—make a prisoner of one of their fellows as a deserter,—try and condemn him to death,—apparently execute the sentence, by shooting him with a small gun,—and finally, bear away the motionless and seemingly lifeless body on a wheel-barrow, for interment!—Nay, who would think of inverting the order of nature, by creating and cementing a union of friendship between cats and birds and mice, associating them together, within the confines of a cage, in the utmost harmony of social intercourse?—And who shall presume to set bounds to the human art, that from a deal board has constructed the figure of a man that will beat at the difficult game of chess, the first players in Europe;{1} and created a wooden musician, that in a solo from the trumpet, will excel the best living performers on that instrument!”
1 It appears by the following letter from Presburg, in Hungary, that this wonderful automaton was originally invented and exhibited there:— “During my stay in this city, I have been so happy as to form an acquaintance with M. de Kempett, an Aulic Counsellor and Director General of the salt mines in Hungary. It seems impossible to attain to a more perfect knowledge of Mechanics, than this gentleman hath done. At least no artist has yet been able to produce a machine, so wonderful in its kind, as what he constructed about a year ago. M. de Kempett, excited by the accounts he received of the extraordinary performances of the celebrated M. de Vaucanson, and of some other men of genius in Prance and England, at first aimed at nothing more, than to imitate those artists. But he has done more, he has excelled them. He has constructed an Automaton, which can play at chess with the most skilful players. This machine represents a man of the natural size, dressed like a Turk, sitting before the table which holds the chess-board. This table (which is about three feet and a half long, and about two feet and a half broad) is supported by four feet that roll on castors, in order the more easily to change its situation; which the inventor fails not to do from time to time, in order to take away all suspicion of any communication. Both the table and the figure are full of wheels, springs, and levers. M. de Kempett makes no difficulty of shewing the inside of the machine, especially when he finds any one suspects a boy to be in it. I have examined with attention all the parts both of the table and figure, and I am well assured there is not the least ground for such an imputation. I have played a game at chess with the Automaton myself. I have particularly remarked, with great astonishment, the precision with which it made the various and complicated movements of the arm, with which it plays. It raises the arm, it advances it towards that part of the chess-board, on which the piece stands, which ought to be moved; and then by a movement of the wrist, it brings the hand down upon the piece, opens the hand, closes it upon the piece in order to grasp it, lifts it up, and places it upon the square it is to be removed to; this done, it lays its arm down upon a cushion which is placed on the chess-board. If it ought to take one of its adversary's pieces, then by one entire movement, it removes that piece quite off the chess-board, and by a series of such movements as 1 have been describing, it returns to take up its own piece, and place it in the square, which the other had left vacant. I attempted to practise a small deception, by giving the Queen the move of a Knight; but my mechanic opponent was not to be so imposed on; he took up my Queen and replaced her in the square she had been removed from. All this is done with the same readiness that a common player shews at this game, and I have often engaged with persons, who played neither so expeditiously, nor so skilfully as this Automaton, who yet would have been extremely affronted, if one had compared them to him. You will perhaps expect me to propose some conjectures, as to the means employed to direct this machine in its movements. I wish I could form any that were reasonable and well-founded; but notwithstanding the minute attention with which I have repeatedly observed it, I have not been able in the least degree to form any hypothesis which could satisfy myself. The English ambassador, Prince Guistiniani, and several English Lords, for whom the inventor had the complaisance to make the figure play, stood round the table while I played the game. They all had their eyes on M. de Kempett, who stood by the table, or sometimes removed five or six feet from it, yet not one of them could discover the least motion in him, that could influence the Automaton. They who had seen the effects produced by the loadstone in the curious exhibitions on the Boulevards at Paris, cried out, that the loadstone must have been the means here employed to direct the arm. But, besides that there are many objections to this supposition, M. de Kempett, with whom I have had long conversations since on this subject, offers to let any one bring as close as he pleases to the table the strongest and best-armed magnet that can be found, or any weight of iron whatever, without the least fear that the movements of his machine will be affected or disturbed by it. He also withdraws to any distance you please, and lets the figure play four or five moves successively without approaching it. It is unnecessary to remark, that the marvellous in this Automaton consists chiefly in this, that it has not (as in others, the most celebrated machines of this sort) one determined series of movements, but that it always moves in consequence of the manner in which its opponent moves; which produces an amazing multitude of different combinations in its movements. M. de Kempett winds up from time to time the springs of the arm of this Automaton, in order to renew its MOVING FORCE, but this, you will observe, has no relation to its guiding FORCE or power of direction, which makes the great merit of this machine. In general I am of opinion, that the contriver influences the direction of almost every stroke played by the Automaton, although, as I have said, I have sometimes seen him leave it to itself for many moves together; which, in my opinion, is the most-difficult circumstance of all to comprehend in what regards this machine. M. de Kempett has the more merit in this invention, as he complains that his designs have not always been seconded by workmen so skilful as was requisite to the exact precision of a work of this nature; and he hopes he shall, ere long, produce to the world performances still more surprising than this. Indeed one may expect every thing from his knowledge and skill, which are exceedingly enhanced by his uncommon modesty. Never did genius triumph with less ostentation.”
“London is a rare place for sights,—always something new;—where the spirits need never flag through want of amusement. Let me recapitulate,—there is the automaton chess-player and the automaton trumpeter,—the family compact, alias amicable society of cat, birds, and mice,—the military canaries, and an hundred phenomena besides, of which we shall make the round in due time. In the meanwhile, let us set out, like the knight of La Mancha, in search of adventures, without running the risk of mistaking windmills for giants: one of the former would, indeed, be a high treat to the insatiable curiosity of the inhabitants of this metropolis; and as to giants, there are none on shew since Bartholomew-fair, excepting those stationary gentlemen, the twin-brothers, Gog and Magog, in Guildhall.”
Passing through the town without meeting with any new object worthy of particular notice, they found themselves at the extremity of Threadneedle-street, when Dashall, pointing to a neat plain building, “this,” said he, “is the South Sea House. The South Sea Company was established for the purpose of an exclusive trade to the South Seas, and many thousands were ruined by the speculation: the iniquity and deception were at last discovered, and those who were at the head were punished. The eager hope of wealth frequently engenders disappointment,—but here credulity attained her zenith;—amongst other schemes, equally practicable, the projectors of this notorious bubble set up a method of making butter from beech-trees; a plan to learn people to cast their nativity; an insurance against divorces; and a way of making deal boards out of saw-dust!”
“And is it possible,” inquired Tallyho, “that such most preposterous theories obtained belief?”