“That,” said he, “is Waterloo Place, which, as well as the memorable battle after which it is named, has already cost the nation an immense sum of money, and must cost much more before the proposed improvements are completed: it is however, the most elegant street in London. The want of uniformity of the buildings has a striking effect, and gives it the appearance of a number of palaces. In the time of Queen Elizabeth there were no such places as Pall Mall, St. James's-street, Piccadilly, nor any of the streets or fine squares in this part of the town. That building at the farther end is now the British Fire-office, and has a pleasing effect at this distance. The cupola on the left belongs to a chapel, the interior of which for elegant simplicity is unrivalled. To the left of the centre building is a Circus, and a serpentine street, not yet finished, which runs to Swallow Street, and thence directly to Oxford Road, where another circus is forming, and is intended to communicate with Portland Place; by which means a line of street, composed of all new buildings, will be completed. Of this dull looking place (turning to Carlton House) although it is the town-residence of our King, I shall say nothing at present, as I intend devoting a morning, along with you, to its inspection. The exterior has not the most lively appearance, but the interior is magnificent.”—During this conversation they had kept moving gently on.
Bob was charmed with the view down Waterloo Place.
“That,” said his Cousin, pointing to the Arcade at the opposite corner of Pall Mall, “is the Italian Opera-house, which has recently assumed its present superb appearance, and may be ranked among the finest buildings in London. It is devoted to the performance of Italian operas and French ballets, is generally open from December to July, and is attended by the most distinguished and fashionable persons. The improvements in this part are great. That church, which you see in the distance over the tops of the houses, is St. Martin's in the fields.”
“In the fields,” inquired Bob; “what then, are we come to the end of the town?”
"Ha! ha! ha!” cried Tom—“the end—no, no,—I was going to say there is no end to it—no, we have not reached any thing like the centre.”
“Blood an owns, boderation and blarney,” (said an Irishman, at that moment passing them with a hod of mortar on his shoulder, towards the new buildings, and leaving an ornamental patch as he went along on Bob's shoulder) “but I'll be a'ter tipping turnups{l} to any b——dy rogue that's tip to saying—Black's the white of the blue part of Pat Murphy's eye; and for that there matter,” dropping the hod of mortar almost on their toes at the same time, and turning round to Bob—“By the powers! I ax the Jontleman's pardon—tho' he's not the first Jontleman that has carried mortar—where is that big, bully-faced blackguard that I'm looking after?” During this he brushed the mortar off Tallyho's coat with a snap of his fingers, regardless of where or on whom he distributed it.
The offender, it seemed, had taken flight while Pat was apologizing, and was no where to be found.
“Why what's the matter?” inquired Tom; “you seem in a passion.”