“Few readers are aware of the various qualifications requisite to form the ‘good housewife’ during the middle ages. In the present day, when household articles of every kind are obtainable in any country town, and, with few exceptions, throughout the year, we can know little of the judgment, the forethought, and the nice calculation which were required in the mistress of a household consisting probably of three-score, or even more persons, and who, in the autumn, had to provide almost a twelvemonth’s stores. There was the fire-wood, the rushes to strew the rooms, the malt, the oatmeal, the honey (at this period the substitute for sugar), the salt (only sold in large quantities), and, if in the country, the wheat and the barley for the bread—all to be provided and stored away. The greater part of the meat used for the winter’s provision was killed and salted down at Martinmas; and the mistress had to provide the necessary stock for the winter and spring consumption, together with the stockfish and ‘baconed herrings’ for Lent. Then at the annual fair, the only opportunity was afforded for purchasing those more especial articles of housewifery which the careful housewife never omitted buying—the ginger, nutmegs, and cinnamon, for the Christmas posset, and Sheer-Monday furmety; the currants and almonds for the Twelfth-Night cake (an observance which dates almost as far back as the Conquest); the figs, with which our forefathers always celebrated Palm-Sunday; and the pepper, the saffron, and the cummin, so highly prized in ancient cookery. All these articles bore high prices, and therefore it was with great consideration and care that they were bought.
“But the task of providing raiment for the family also devolved upon the mistress, and there were no dealers save for the richer articles of wearing apparel to be found. The wool that formed the chief clothing was the produce of the flock, or purchased in a raw state; and was carded, spun, and in some instances woven at home. Flax, also, was often spun for the coarser kinds of linen, and occasionally woven. Thus, the mistress of a household had most important duties to fulfil, for on her wise and prudent management depended not merely the comfort, but the actual well-being of her extensive household. If the winter’s stores were insufficient, there were no markets from whence an additional supply could be obtained; and the lord of wide estates and numerous manors might be reduced to the most annoying privations through the mismanagement of the mistress of the family.”
The “costly and delicate needle-work” is here, as elsewhere, passed over with merely a mention. It is, naturally, too insignificant a subject to task the attention of those whose energies are devoted to describing the warfare and welfare of kingdoms and thrones. Thus did we look only to professed historians, though enough exists in their pages to evidence the existence of such productions as those which form the subject of our chapter, our evidence would be meagre indeed as to the minuter details: but as the “novel” now describes those minutiæ of every day life which we should think it ridiculous to look for in the writings of the politician or historian, so the romances of the days of chivalry present us with descriptions which, if they be somewhat redundant in ornament, are still correct in groundwork; and the details gathered from romances have in, it may be, unimportant circumstances, that accidental corroboration from history which fairly stamps their faithfulness in more important particulars: and it has been shown, says the author of ‘Godefridus,’ by learned men, in the memoirs of the French Academy of Inscriptions, that they may be used in common with history, and as of equal authority whenever an inquiry takes place respecting the spirit and manners of the ages in which they were composed. But we are writing a dissertation on romance instead of describing the “clodes ryche,” to which we must now proceed.
So highly was a facility in the use of the needle prized in these “ould ancient times,” that a wandering damsel is not merely tolerated but cherished in a family in which she is a perfect stranger, solely from her skill in this much-loved art.
After being exposed in an open boat, Emare was rescued by Syr Kadore, remained in his castle, and there—
“She tawghte hem to sewe and marke
All maner of sylkyn werke,
Of her they wer ful fayne.”[41]
Syr Kadore says of her—
“She ys the konnyngest wommon,
I trowe, that be yn Crystendom,
Of werk that y have sene.”
And again describing her—
“She sewed sylke werk yn bour.”