In apparatus there is not much to talk about, the Pantascopic camera being the chief novelty. There are several of the manufacturers exhibiting in the photographic department, but we could not reconcile ourselves to the circumstance of Mr. Dallmeyer not exhibiting in the right place. His name is honoured by photographers, and he should have honoured Photography by going in under her colours. If he must go to the “scientific department,” he ought to have gone there with his scientific instruments alone, and shown his photographic apparatus in the place assigned for that purpose. True, he makes a handsome show, but that does not atone for his mistake. Photographers are queer animals—jealous of their rights, and as sensitive to slight as their plates are to light; and we fear we are ourselves not much better. A large majority of photographers stand by Mr. Dallmeyer, and very justly believe in his 1 and 2 B’s as shippers do in A 1’s at Lloyd’s; and his stand should have been in the photographic department.

In other parts of the Exhibition building there are various subjects highly interesting to photographers.

The chemical department has its attractions in samples of collodio-chloride of silver, prepared by Messrs. Mawson and Swan, for the opal printing process and the Simpsontype. Specimens of each type are also to be seen there; and there are other chemicals used in photography, even to dextrine and starch: the purity of the latter is known by the size and length of its crystals.

In metallurgy there is also something to interest photographers. Messrs. Johnson and Sons exhibit some very fine samples of nitrate of silver, double and treble crystallized, silver dippers, chloride of gold, nitrate of uranium, and other scarce metals.

Messrs. Johnson, Matthey, and Co. also exhibit some fine samples of nitrate of silver and chloride of gold; and some wonderful specimens of magnesium, in various forms, in wire and ribbon. One coil of ribbon is 4,800 feet long, and weighs 40 ounces; and there is an obelisk of magnesium about 20 inches high, and weighing 162 ounces.

There are many other things in this case of great value which have a photographic bearing—amongst these a platinum boiler, valued at £1,500, for the concentration and rectification of sulphuric acid; a platinum alembic, value £350, for the separation and refining of gold and silver; also an ingot of platinum, weighing 3,200 ounces, and valued at £3,840. The exhibitors say that “such a mass of fused platinum is never likely to be again produced.” The whole of the contents of Messrs. Johnson, Matthey, and Co.’s case of precious metals, most of which have a direct or indirect application to photography, are estimated at the enormous value of £16,000!

Mining, too, has its attractions for us; and as we near the Nova Scotia division of the Exhibition building the needle of our observation dips towards a bar of pure gold, weighing 48 pounds, and valued at £2,200 sterling.

By the gentlemanly courtesy of the Rev. Dr. Honeyman, Honorary Secretary and Commissioner in Dublin, from the province of Nova Scotia, we were favoured with a “lift” of this valuable lump of gold, and we could not help exclaiming, “What a lot of chloride this would make!” But we had to “drop it” very quickly, for the muscles of our fingers could not bear the strain of holding it more than a few seconds. This bar of gold was obtained from very rich quartz, specimens of which are to be seen near it; and Dr. Honeyman informed us that the average daily remuneration from such quartz was thirty shillings sterling per man.

It is not generally known that the province of Nova Scotia is so rich in gold; but, from statistics by the Chief Commissioner of Mines for the province, we find that the average yield of the Nova Scotia quartz is over 19 dwt. per ton, and richer than the quartz of Australia; and the deeper the shafts are sunk the richer the quartz becomes. In 1864 the total yield from all the gold districts of Nova Scotia was 20,022 ounces, 18 dwts., 13 grs. Gold dust and scales have also been found in the sands on the sea coast of the province, and in the sands of Sable Island, which is eighty miles distant, in the Atlantic Ocean. Having in our own colonies such an abundance of one of the precious metals so extensively used in the practice of our art, photographers need not be under any apprehension of having their supplies cut off.

Continuing our general survey, we stumble upon many things of considerable interest. But, as our space will only allow us to particularize those articles which have a photographic attraction, direct or indirect, we must as far as possible imagine ourselves something like animated photometers for the time being, registering the aspects, changes, and remarkable phenomena connected with our art, and whatever can be applied to photography and the use of photographers; or whatever photography can be applied to, artistically or commercially considered.