The canter for the Row, conventionally and wisely, should be almost as collected as that of the riding school. It is an understood thing, in fact, that no lady or gentleman (properly so called) "sets a horse going" there; and trotting when practised should also be done very collectedly, both paces admitting of the display of talent and proficiency in equitation of the rider.
For the more extended paces, it is necessary again to have recourse to open heath or common; and, before the pupil attempts to "set her horse going," the difference between cantering, in the "andante" pace, and galloping, should be clearly explained to her. The main difference in this cantering is to some extent an artificial pace, because, when practised collectedly, the greater weight of the horse is brought from his forehand on to his haunches; and the shorter the pace, the more his weight is on his hind legs. It is for this reason that very collected cantering should not be continued for any great length of time, from its tendency to strain the hocks, nevertheless cantering, like trotting, cannot fairly be pronounced altogether artificial, because anybody who has had the handling of a great number of young horses must have seen many of them running loose who would canter the length of a paddock at quite a short pace, both legs on the same side (generally the near side); and I have seen a foal at a mare's foot trot, true and fair, for a considerable distance.
Galloping, however, like walking, is a perfectly natural pace, although it is a mistake to say that in the gallop the horse moves both fore and hind legs together, in what is frequently termed "a succession of jumps." That he does this in his top speed, and especially in making a supreme effort, as in a desperate finish of a race, is perfectly true: but it is equally certain that at half or three quarter speed he is leading with either near or off fore leg, and that anything but a full speed gallop is simply a very extended canter. Any man who has ridden a race must know that where the distance is great, say four miles or more, and men do not force the pace, for perhaps two-thirds of the way every horse (say of a score of them) will be leading with either near or off leg, generally the former, and that a very hot excitable horse, eager to get to the front, will change his leg when he finds his rider keeps his hands down, and his horse back. It may be said that this is not galloping but cantering; but I beg to assure all those who maintain this opinion that such a canter is faster than any gallop resorted to, apart from racing, that, in short, such a gallop is a very extended canter. Whatever the term, however, may be most applicable to it, half racing speed is quite as fast as a lady will have occasion to ride, unless in cases of desperate emergency. At such speed the horse has altogether a different balance to that maintained in the short canter; and, although he does not go altogether on his shoulders, still, to afford him freedom of action, he must be allowed to extend his head and neck, because, if too much bent, his action will be clambering, instead of sending him freely to his front.
To gallop a horse in good form the lady should adopt a different arrangement of the reins to any heretofore used. It is simply to divide them, so that the little fingers of both hands pass between the snaffle and curb reins, the latter under the little finger, and a little longer than the former, the appui being principally upon the snaffle, although there should be no slack rein on the curbs. Her hands should be kept well apart, and as low down as she can get them. The reason for separating the hands is, that it is far more difficult for a lady to set her hands down than for a man to do the same thing, because the front forks of the saddle are very much in her way.
If, however, she rides with a saddle, the off side crutch of which is "cut down," and she places her right hand outside her right knee, and her left hand outside the near side upper crutch, she will have the reins at nearly the same angle, and about the same feeling on the horse's mouth, as would be obtained by a man in setting his horse going.
In order to counteract any tendency of this position of the hands to interfere with the rider's proper balance, the left foot should be carried well forward, while the leg is pressed firmly against the third crutch, and an equally firm grasp of the upper crutch is taken with the right knee. A slight bend forward of the figure from the waist upwards is admissible, but great care should be taken by the instructor that this is not overdone, but regulated by the angle at which the left foot is placed. With the slight bend forward, however, there should be no rounding of the back or shoulders, or dropping of the head. Neither should the hands be allowed to get too forward; they will be somewhat in advance of their position at a canter, but not be more than six or eight inches from the body—the hands with the knuckles upwards, the elbows only slightly bent.
The ground selected for this exercise should be well known to the instructor—sound, good-going turf, perfectly free from rabbit holes or rotten places. The pace should be gradually increased from a free canter to about half-racing speed, the master making the pace himself, and carefully watching his pupil in every stride her horse takes. The lady should be instructed to let her horse "take fairly hold" of her, and press him with the leg until he strides freely along in his gallop. She should keep her hands shut firmly on the reins, and rest the former against the saddle. The horse then, while taking well hold of her, will not pull, nor will she pull an ounce against him, the consequence being that when she desires to decrease her speed, she has only to lean back gradually from her galloping position, bringing the body first perfectly upright, and then inclining back at about the same angle she previously carried it forward, raise her hands up from the saddle, and carry them back to her waist, while she turns the little fingers inwards and upwards towards it, which will cause her to feel the curb reins with a double feeling to the snaffle, and in about a dozen strides she can thus collect her horse into a steady canter and bring him subsequently to a walk. The length and speed of these rides must be carefully regulated by the master according to the nerve and strength of his pupil. Without a fair amount of both nerve and physical power such gallops should not be attempted at all. Where there is plenty of both, a half-mile spin is admissible to begin with, and, with good going ground, this may be increased gradually to a couple of miles. The instructor should be very careful in cautioning his pupil to diminish the speed of her horse by degrees and in the manner above described, especially avoiding any sudden pull at him, or any unsteadiness of the hands. Carefully practised, these gallops will give the pupil great freedom and confidence in the saddle; and they are, moreover, wonderful promoters of health.