| £. | s. | d. | |
| Ultramarine | 1 | 1 | 0 |
| Burnt Carmine | 7 | 0 | |
| Carmine | 5 | 0 | |
| Gall Stone | 5 | 0 | |
| Smalt | 5 | 0 | |
| Purple Madder | 5 | 0 | |
| Pink Madder | 3 | 0 | |
| Intense Blue | 3 | 0 | |
| Intense Brown | 3 | 0 | |
| French Blue | 3 | 0 | |
| Lemon Yellow | 3 | 0 | |
| Cobalt | 2 | 0 | |
| Sepia | 1 | 6 | |
| —— Warm | 1 | 6 | |
| Scarlet Lake | 1 | 6 | |
| Crimson Lake | 1 | 6 | |
| Purple Lake | 1 | 6 | |
| Brown Madder | 1 | 6 | |
| Indian Yellow | 1 | 6 | |
| White, warranted permanent | 1 | 6 |
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C. SMITH'S PERMANENT MOIST WHITE,
So celebrated for its permanency and harmless nature, being quite free from lead; useful as lights upon Tinted Paper, without ever losing its brilliancy of Colour.
All the following One Shilling per Cake.
| Gamboge | Red Lead | Cappah Brown | Sap Green |
| Yellow Ochre | Vermilion | Burnt Umber | Prussian Green |
| Roman Ochre | Light Red | Vandyke Brown | Emerald Green |
| Yellow Lake | Venetian Red | Bistre | Verdigris |
| King's Yellow | Indian Red | Cologne Earth | Olive Green |
| Italian Pink | Dragon's Blood | Byrne's Brown | Hooker's Greens |
| Pale Chrome | Antwerp Blue | Neutral Tint | Varley's Orange |
| Deep Chrome | Prussian Blue | Payne's Grey | —— Dark Green |
| Orange Chrome | Indigo | British Ink | —— Warm Green |
| Raw Sienna | Verditer | Ivory Black | —— Warm Grey |
| Burnt Sienna | Raw Umber | Blue Black | —— Purple Grey |
| Brown Pink | Indian Lake | Lamp Black | —— Neutral Tint |
*** The above Colours kept in Powder, Bladders, and Crude state.
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WILLSON'S PRACTICAL LANDSCAPE TINTS.
C. Smith, being of opinion that a Set of Practical Landscape Tints were required, apart from the above positive Colours, engaged the services of the Author of this Work to assist in forming them, which is intended to accompany his instructions for their use, already printed. [See page 83.]