The following passage occurs in the Huai-nan Tzŭ: "When sovereign and ministers show perversity of mind, it is impossible even for a Sun Tzŭ to encounter the foe." Assuming that this work is genuine (and hitherto no doubt has been cast upon it), we have here the earliest direct reference for Sun Tzŭ, for Huai-nan Tzŭ died in 122 B.C., many years before the Shih Chi was given to the world.
Liu Hsiang (80-9 B.C.) says: "The reason why Sun Tzŭ at the head of 30,000 men beat Ch’u with 200,000 is that the latter were undisciplined."
Teng Ming-shih informs us that the surname "Sun" was bestowed on Sun Wu’s grandfather by Duke Ching of Ch’i [547-490 B.C.]. Sun Wu’s father Sun P’ing, rose to be a Minister of State in Ch’i, and Sun Wu himself, whose style was Ch’ang-ch’ing, fled to Wu on account of the rebellion which was being fomented by the kindred of T’ien Pao. He had three sons, of whom the second, named Ming, was the father of Sun Pin. According to this account then, Pin was the grandson of Wu, which, considering that Sun Pin’s victory over Wei was gained in 341 B.C., may be dismissed as chronologically impossible. Whence these data were obtained by Teng Ming-shih I do not know, but of course no reliance whatever can be placed in them.
An interesting document which has survived from the close of the Han period is the short preface written by the Great Ts’ao Ts’ao, or Wei Wu Ti, for his edition of Sun Tzŭ. I shall give it in full:—
I have heard that the ancients used bows and arrows to their advantage. [10] The Lun Yu says: “There must be a sufficiency of military strength.” The Shu Ching mentions "the army" among the "eight objects of government." The I Ching says: "‘army’ indicates firmness and justice; the experienced leader will have good fortune." The Shih Ching says: "The King rose majestic in his wrath, and he marshalled his troops." The Yellow Emperor, T’ang the Completer and Wu Wang all used spears and battle-axes in order to succour their generation. The Ssu-ma Fa says: "If one man slay another of set purpose, he himself may rightfully be slain." He who relies solely on warlike measures shall be exterminated; he who relies solely on peaceful measures shall perish. Instances of this are Fu Ch’ai [11] on the one hand and Yen Wang on the other. [12] In military matters, the Sage’s rule is normally to keep the peace, and to move his forces only when occasion requires. He will not use armed force unless driven to it by necessity.
Many books have I read on the subject of war and fighting; but the work composed by Sun Wu is the profoundest of them all. [Sun Tzŭ was a native of the Ch’i state, his personal name was Wu. He wrote the Art of War in 13 chapters for Ho Lu, King of Wu. Its principles were tested on women, and he was subsequently made a general. He led an army westwards, crushed the Ch’u state and entered Ying the capital. In the north, he kept Ch’i and Chin in awe. A hundred years and more after his time, Sun Pin lived. He was a descendant of Wu.] [13] In his treatment of deliberation and planning, the importance of rapidity in taking the field, [14] clearness of conception, and depth of design, Sun Tzŭ stands beyond the reach of carping criticism. My contemporaries, however, have failed to grasp the full meaning of his instructions, and while putting into practice the smaller details in which his work abounds, they have overlooked its essential purport. That is the motive which has led me to outline a rough explanation of the whole.
One thing to be noticed in the above is the explicit statement that the 13 chapters were specially composed for King Ho Lu. This is supported by the internal evidence of I. § 15, in which it seems clear that some ruler is addressed.
In the bibliographic section of the Han Shu, there is an entry which has given rise to much discussion: "The works of Sun Tzŭ of Wu in 82 p’ien (or chapters), with diagrams in 9 chuan." It is evident that this cannot be merely the 13 chapters known to Ssu-ma Ch’ien, or those we possess today. Chang Shou-chieh refers to an edition of Sun Tzŭ’s Art of War of which the "13 chapters" formed the first chuan, adding that there were two other chuan besides. This has brought forth a theory, that the bulk of these 82 chapters consisted of other writings of Sun Tzŭ—we should call them apocryphal—similar to the Wen Ta, of which a specimen dealing with the Nine Situations [15] is preserved in the T’ung Tien, and another in Ho Shin’s commentary. It is suggested that before his interview with Ho Lu, Sun Tzŭ had only written the 13 chapters, but afterwards composed a sort of exegesis in the form of question and answer between himself and the King. Pi I-hsun, the author of the Sun Tzŭ Hsu Lu, backs this up with a quotation from the Wu Yüeh Ch’un Ch’iu: "The King of Wu summoned Sun Tzŭ, and asked him questions about the art of war. Each time he set forth a chapter of his work, the King could not find words enough to praise him." As he points out, if the whole work was expounded on the same scale as in the above-mentioned fragments, the total number of chapters could not fail to be considerable. Then the numerous other treatises attributed to Sun Tzŭ might be included. The fact that the Han Chih mentions no work of Sun Tzŭ except the 82 p’ien, whereas the Sui and T’ang bibliographies give the titles of others in addition to the "13 chapters," is good proof, Pi I-hsun thinks, that all of these were contained in the 82 p’ien. Without pinning our faith to the accuracy of details supplied by the Wu Yüeh Ch’un Ch’iu, or admitting the genuineness of any of the treatises cited by Pi I-hsun, we may see in this theory a probable solution of the mystery. Between Ssu-ma Ch’ien and Pan Ku there was plenty of time for a luxuriant crop of forgeries to have grown up under the magic name of Sun Tzŭ, and the 82 p’ien may very well represent a collected edition of these lumped together with the original work. It is also possible, though less likely, that some of them existed in the time of the earlier historian and were purposely ignored by him. [16]
Tu Mu’s conjecture seems to be based on a passage which states: "Wei Wu Ti strung together Sun Wu’s Art of War," which in turn may have resulted from a misunderstanding of the final words of Ts’ao King’s preface. This, as Sun Hsing-yen points out, is only a modest way of saying that he made an explanatory paraphrase, or in other words, wrote a commentary on it. On the whole, this theory has met with very little acceptance. Thus, the Ssu K’u Ch’uan Shu says: "The mention of the 13 chapters in the Shih Chi shows that they were in existence before the Han Chih, and that latter accretions are not to be considered part of the original work. Tu Mu’s assertion can certainly not be taken as proof."
There is every reason to suppose, then, that the 13 chapters existed in the time of Ssu-ma Ch’ien practically as we have them now. That the work was then well known he tells us in so many words. "Sun Tzŭ’s 13 Chapters and Wu Ch’i’s Art of War are the two books that people commonly refer to on the subject of military matters. Both of them are widely distributed, so I will not discuss them here." But as we go further back, serious difficulties begin to arise. The salient fact which has to be faced is that the Tso Chuan, the greatest contemporary record, makes no mention whatsoever of Sun Wu, either as a general or as a writer. It is natural, in view of this awkward circumstance, that many scholars should not only cast doubt on the story of Sun Wu as given in the Shih Chi, but even show themselves frankly skeptical as to the existence of the man at all. The most powerful presentment of this side of the case is to be found in the following disposition by Yeh Shui-hsin: [17]—