Before ten o'clock we were off, and before eleven we were in Melbourne, sliding up Collins Street on a tram dummy, on our way to the Cyclorama. The Picture Gallery had been set down as a first item of the programme—it opened at ten, and one had the place to one's self during the forenoon—but afterwards we put it at the bottom of the list, and finally struck it out altogether. Our feeling was that we could do pictures at any time—pictures were things young people would thoroughly approve of as an amusement for parents—but that we could not always do exactly as we liked. So we went to the Cyclorama first, and were so intensely interested that we stayed there nearly an hour. We had read of the battle of Waterloo in our school books, but never realised it in the least; now we were like eye-witnesses of the fight, and the whole thing was clear to us. A soldier amongst the spectators pointed out a number of mistakes in the arrangements of troops and guns, but we did not understand them, and did not want to; indeed, we would not listen to him. We moved round and round in our dark watch-tower to the quiet places, and gazed over the far-stretching fields with more delight than our first peep-show at an English fair had given us. The illusion of distance was so complete that it corrected all crudities of detail, and we simply lost ourselves in the romance of the past and our own imaginations.
"Never saw anything so wonderful in my life," said Tom, as at last we tore ourselves away. "I seem to smell that chateau burning, and to hear those poor chaps groaning with their wounds. I'm glad we went, aren't you, Polly?"
I truthfully replied that I was very glad indeed, and we emerged into the street, and he hailed a passing tram. Again we took our places on the dummy, that we might see and feel as much of the bright day as possible. Melbourne was still gay and busy, in spite of gloomy commercial forecasts, and the weather was all that a perfect autumn morning could make it. The sun shone now with an evident intention to continue doing so till bed-time, and we basked in it on the dummy seat like two cats.
"What shall we do next?" asked Tom, consulting his watch. "It is not near lunch-time yet. We must get an appetite for the sort of meal I mean to have to-day."
Before we could make up our minds what to do next, the tram had carried us into Burke Street, and lo! there was the temple of the waxworks staring us in the face. Tom signalled the conductor, and we jumped off, hand in hand, and without a word made our way to the door of the show which we had heard even young children speak of as beneath contempt—only fit for bloodthirsty schoolboys of the lower orders and louts from the country who knew no better.
Well, we were from the country; and, whatever the artistic shortcomings of this exhibition, it had the charm of novelty at any rate. Neither of us had been to waxworks since we were taken as infants to Madame Tussaud's. This was a far cry from Madame Tussaud's, but I must confess that it amused us very well for half an hour. The effigies were full of humour, and the instruments of torture in the chamber of horrors very real and creepy. Also there were some relics of old colonial days that were decidedly interesting. In short, we did not feel that we had wasted time and two shillings when we had gone through the place, though we pretended to have done so, laughing at each other, saying, "How silly we are!"
"Well, let's be silly," said Tom, at last. "There's no law against that, that I know of."
"None whatever," I gaily responded. "There's nobody to——"
"Hush!" he exclaimed, interrupting what I was going to say with a sharp snatch at my arm. We were just leaving the waxworks, and he pulled me back within the door.
"What's the matter?" I cried, bewildered by his sudden action and tone of alarm.