The Retrospect

by Ada Cambridge

Mention of the Tower reminds me of a circumstance that occurred the night before we made the futile compact, than which circumstance nothing happening to me in London impressed me more.

An afternoon at His Majesty's to see Beerbohm Tree in Faust—the new Faust, redeemed, not destroyed, through his human errors; the new Mephistopheles, with the dignity of a god—had provided excitement enough for one day, and we decided to spend the evening quietly at home. Tea, a rest with a book, three only at dinner, were the peaceful preliminaries; then we sank into deep sofa-corners by the drawing-room fire.

"This," said B., "is the opportunity I have been looking for to show you something. They have only just come back from the British Museum."

Two large, thick volumes were produced. And when I opened one of them—the other was a typed rendering of the precious text—I perceived that I was privileged for the moment above the rest of my countrymen. For I was the first of the general public to read some most interesting pages of English history, lost long before the story as we know it was put together for the use of schools.

For three hundred years or more they had probably been in hiding where they had recently been found—in the library of one of the seats of the family to which B. belonged. Consequent upon the death of the owner, her brother-in-law, there had been rummaging about the house, and a quantity of valuable documents had been discovered behind oaken wainscots and elsewhere. A cupboardful, found at a moment when it was not convenient to remove them, mysteriously disappeared, unread, before they could be retrieved; the bundle of letters on my knee had been spared to the family, of which a Lord C., of Charles the Second's reign, had been friend and kin to the writers. B. and the British Museum had been attending to their preservation. They had been carefully arranged and bound, and their condition was so perfect, and the penmanship was so exquisite, that I was able to read the original, in the old lettering of the time, as fast as B. could follow me with the modernised typed copy. We took turn and turn about with this reading and checking, and I suppose it took us hours—we were too absorbed to think of time—to get through the whole, if we did get through it.

They were the letters of that Lord William Russell who was beheaded, and of his wife, the famous Rachel, written during his trial and imprisonment, to and of each other, to Charles the Second, and the King's replies; portions of her journals; a long and minutely detailed account of the whole tragedy, from day to day, almost from hour to hour, by Bishop Burnet, who attended the prisoner—all in their own handwritings; and a more touching and elevating tale and a more distinguished piece of literature I do not remember to have come across. B. showed me a letter from the lady who had typewritten the copy. She said in effect that her sense of the privilege conferred on her with the work was beyond words. By this time, possibly, Lady C. has allowed the documents, family archives though they be, to be published for the benefit of the nation. Unless, indeed, the nation has had them this long time, and I have not known it.

Beheadings, again, remind me of Madame Tussaud's. As a child I had thought it hard lines never to see the famous waxworks, and I never did—until this belated return to where they were. I might not then have done so but for the accident of a Baker Street engagement, which being discharged with unexpected promptitude left us, G. and I, with an hour or two on our hands. The great building, new since he had visited it, stood almost over us, conspicuously proclaiming itself, and with one accord we turned into it. Another lifelong ambition gratified at last!

"You won't go into the Chamber of Horrors, I suppose?" said G., when I had viewed Mrs Pankhurst and the rest of the notabilities.

"Oh yes," said I, for I was out to see things. And down I went. It was not particularly thrilling to one whose childhood was so far behind, but it was very nasty. A cup of tea in the fresh air of the restaurant was grateful after it. And I felt a particular craving for a bath.

One thing, however, has contrived to haunt me—the mask of Marie Antoinette as at the moment after execution, with the blood-oozing nostrils and the swooning, drowning eyes. For it seemed to me as if that might be very much how she would have looked.