The blood rushed into his face, and he set his teeth, and walked on silently, not seeing where he went. For a moment he felt stunned with the shock. Then he was brought to himself by a harsh laugh from Mrs. Aarons. "Dear me," said she, in a high tone, "the Miss Kings have become so grand that we are beneath their notice. You and I are not good enough for them now, Mr. Brion. We must hide our diminished heads."
"I see," he assented, with savage quietness. "Very well. I am quite ready to hide mine."
Meanwhile Patty, at the farther end of the lawn, was overwhelmed with remorse for what she had done. At the first sight of him, in close intercourse with that woman who, Mrs. Duff-Scott again reminded her, was not "nice"—who, though a wife and mother, liked men to "dangle" round her—she had arraigned and judged and sentenced him with the swift severity of youth, that knows nothing of the complex trials and sufferings which teach older people to bear and forbear with one another. But when it was over, and she had seen his shocked and bewildered face, all her instinctive trust in him revived, and she would have given anything to be able to make reparation for her cruelty. The whole afternoon she was looking for him, hoping for a chance to show him somehow that she did not altogether "mean it," but, though she saw him several times—eating his lunch with Mrs. Aarons under the refreshment shed close by the Duff-Scott carriage, watching Grand Flâneur win the greatest of his half-dozen successive victories from the same point of view as that taken by the Duff-Scott party—he never turned his head again in her direction or seemed to have the faintest consciousness that she was there.
And next day, when no longer in her glorious apparel, but walking quietly home from the Library with Eleanor, she met him unexpectedly, face to face, in the Fitzroy Gardens. And then he cut her—dead.
[CHAPTER XXIII.]
MR. YELVERTON'S MISSION.
On a Thursday evening in the race week—two days after the "Cup," Mrs. Duff-Scott took her girls to the Town Hall to one of a series of concerts that were given at that time by Henri Ketten, the Hungarian pianist, and the Austrian band that had come out to Melbourne to give éclat to the Exhibition.
It was a fine clear night, and the great hall was full when they arrived, notwithstanding the fact that half-a-dozen theatres were open and displaying their most attractive novelties, for music-loving souls are pretty numerous in this part of the world, taking all things into consideration. Australians may not have such an enlightened appreciation of high-class music as, say, the educated Viennese, who live and breathe and have their being in it. There are, indeed, sad instances on record of a great artist, or a choice combination of artists, having appealed in vain for sympathy to the Melbourne public—that is to say, having found not numbers of paying and applauding listeners, but only a select and fervent few. But such instances are rare, and to be accounted for as the result, not of indifference, but of inexperience. The rule is—as I think most of our distinguished musical visitors will testify—that we are a people peculiarly ready to recognise whatever is good that comes to us, and to acknowledge and appreciate it with ungrudging generosity. And so the Austrian band, though it had many critics, never played to a thin audience or to inattentive ears; and no city in Europe (according to his own death-bed testimony) ever offered such incense of loving enthusiasm to Ketten's genius as burnt steadily in Melbourne from the moment that he laid his fingers on the keyboard, at the Opera House, until he took his reluctant departure. This, I hasten to explain (lest I should be accused of "blowing"), is not due to any exceptional virtue of discrimination on our part, but to our good fortune in having inherited an enterprising and active intelligence from the brave men who had the courage and energy to make a new country, and to that country being such a land of plenty that those who live in it have easy times and abundant leisure to enjoy themselves.
Mrs. Duff-Scott sailed into the hall, with her girls around her, and many eyes were turned to look at them and to watch their progress to their seats. By this time "the pretty Miss Kings" had become well-known and much talked about, and the public interest in what they wore, and what gentlemen were in attendance on them, was apt to be keen on these occasions. To-night the younger girls, with their lovely hair lifted from their white necks and coiled high at the back of their heads, wore picturesque flowered gowns of blue and white stuff, while the elder sister was characteristically dignified in black. And the gentlemen in attendance upon them were Mr. Westmoreland, still devoted to Eleanor, and the portly widower, whom Mrs. Duff-Scott had intended for Elizabeth, but who was perversely addicted to Patty. The little party took their places in the body of the hall, in preference to the gallery, and seated themselves in two rows of three—the widower behind Mrs. Duff-Scott, Patty next him behind Eleanor, and Elizabeth behind Mr. Westmoreland. And when the concert began there was an empty chair beside Elizabeth.