“How unkind you are! Of course not. No—I told him.”
“Ah, I thought perhaps it was some ingenious plan like that. I should think that’s the way he usually finds out things—by being told.”
“Bertha, why do you sneer at him?”
“Did I?—I didn’t mean to. Why does he behave like a belated schoolmaster?”
“Behave like a—oh, Bertha!”
Madeline was trying to be offended, but she could not succeed. It was nearly impossible to be angry with Bertha, when she was present. There were many reasons for this. Bertha had a small arched mouth, teeth that were tiny and white and marvellously regular, a dimple in her left cheek, long eyelashes that gave a veiled look to the eyes, and a generally very live-wax-dollish appearance which was exceedingly disarming. There was a touch, too, of the china shepherdess about her. But, of course, she was not really like a doll, nor remote from life; she was very real, living and animated; though she had for the connoisseur all the charm of an exquisite bibelot that is not for sale.
Bertha was twenty-eight, but looked younger than her age. Madeline might have been her senior. Under this peachlike appearance, and with the premeditated ïté of her manner, she was always astonishing people by her penetration and general ingenuity; she was at once very quick and very deep—quick especially to perceive and enjoy incongruities, and deep in understanding them; extremely observant, and not in the least superficial. Almost her greatest interest was the study of character; she had an intellectual passion for going below the surface, and finding out the little coins inédits of the soul. She was rather unpractical, but only in execution, and she had the gift of getting the practical side of life well done for her, not letting it be neglected. Her bonbonnière of a drawing-room seemed to be different from ordinary rooms, though one hardly knew in what; partly from the absence of superfluities; and somehow after many a triumph over the bewilderment of a sulky yet dazzled decorator, Bertha had contrived, in baffling him, to make the house look distinguished without being unconventional; dainty without being artificial; she had made it suit her perfectly and, what was more, the atmosphere was reposeful. Her husband always besought her to do anything on earth she wished in her own home, rather in the same way that one would give an intelligent canary carte blanche about the decoration of what was supposed to be its cage.
Percy Kellynch, the husband—he was spoken of as the husband (people said: “Is that the husband?” or “What’s the husband like?”)—was a rather serious-looking barrister with parliamentary ambitions, two mild hobbies (which took the form of Tschaikowsky at the Queen’s Hall and squash rackets at the Bath Club), a fine forehead, behind which there was less doing than one would suppose, polished manners, an amiable disposition and private means.
For Madeline’s sake, Bertha was interested in Rupert Denison, and determined to understand him. When she reached bedrock in her friends, it was not unusual for her to grow tired of them. But she was gentle and considerate even to the people who left her cold; and when she really cared for anyone, she was loyal, passionate and extraordinarily tenacious.