Certainly, after the first few months of their marriage, Bruce had turned out a disappointment. But now that she knew him, knew the worst of him, she did not think bad. He had an irritating personality. But most people had to live with someone who was a little irritating; and she was so accustomed to his various ways and weaknesses that she could deal with them unmoved, almost mechanically. She did not take him seriously. She would greatly have preferred, of course, that he should understand her, that she could look up to him and lean on him. But as this was not so, she made the best of it, and managed to be contented enough. Three years ago she had not even known she could be deeply in love.

She had loved Aylmer Ross. But even at that time, when Bruce gave her the opportunity, by his wild escapade with Miss Argles, to free herself and marry Aylmer—her ideal of divine happiness at the time—somehow she could not do it. She had a curious sense of responsibility towards Bruce, which came in the way.

Often since then she had had regrets; she had even felt it had been a mistake to throw away such a chance. But she reflected that she would have regrets anyhow. It would have worried her to know that Bruce needed her. For all that, she knew he did, if unconsciously. So she had made up her mind to content herself with a life which, though peaceful, was certainly, to her temperament, decidedly incomplete.

Edith had other sources of happiness more acute than that of the average. She took an intense and keen enjoyment in life itself. Everything interested her, amused her. She was never bored. She so much enjoyed the mere spectacle of life that she never required to be the central figure. When she had to play the part of a mere spectator it didn't depress her; she could delight in society and in character as if at a theatre. On the other hand, as she had a good deal of initiative and a strong personality, she could also revel in action, in playing a principal part. Under a quiet manner her courage was daring and her spirit high. Unless someone or something was actively tormenting her, to an extent quite insupportable, she was contented, even gay.

Her past romance with Aylmer had naturally opened to her a source of delight that she knew nothing of before.

Since she had seen him again she scarcely knew how she felt about it. This day she was to see him again alone, because he wished it, and because Dulcie Clay had begged her to gratify the wish.

Why was it, she asked herself, that the little nurse desired they should be alone together? It was perfectly clear, to a woman with Edith's penetration, that Dulcie was in love with Aylmer. Also, she was equally sure that the girl believed Aylmer to be devoted to her, Edith. Then it must be the purest unselfishness. Dulcie probably, she thought, loved him with a kind of hopeless worship. She had seen him ill and weak, she pitied him, she wanted him to be happy. In return for this generosity Edith felt a generous kindness for her, a sympathy that she would never have believed she could feel at seeing such a beautiful girl on those rather intimate terms with Aylmer.

It must mean, simply, that Edith knew Aylmer cared for her still. A look was enough to convince her that at least he still took a great and deep interest in her. And she wanted to come to an understanding with him, or she could have avoided a tête-à-tête.

During the three years he had been away the feeling had calmed down, but the ideal was still there, and the memory. Whenever Bruce was maddening—which was fairly often—when she heard music, when she saw beautiful scenery, when she was reading a romantic book, when any other man admired her, Aylmer was always in her thoughts.

When Edith saw him again she was not sure that she had not worn out her passion by dwelling on it. But that might easily be caused by the mere gêne of the first two or three meetings. There is a shyness, a sort of coldness, in meeting again a person one has passionately loved. To see the dream in flesh and blood, the thought made concrete, once more brings poetry down to prose. Then the terms they met on now were changed. He was playing such a different part. Instead of the strong, determined man who had voluntarily left her, refusing to know her as a friend, and reproaching her bitterly for playing with him, as he called it, here was a broken invalid, a pathetic figure who appealed to entirely different sentiments. There is naturally something maternal in a woman's feeling to a sick man. There was also the halo that surrounds the wounded hero. He was not ill through weakness, but through strength and courage.