'You know she has a reputation for being remarkable for sound sense,' said Hyacinth.
'Well, she's shown it at last!'
She laughed.
He took a stroll round the room. It was so high, so enormous, with so much satin on the walls, so many looking-glasses, so much white paint, so many cabinets full of Dresden china, that it recalled, by the very extremity of the contrast of its bright hideousness, that other ugly, dismal little room, also filled with false gods, of a cheap and very different kind, in which he had had so much poignant happiness.
'Hyacinth,' he said, rather quaintly, 'do you know what I'm doing? I want to kiss you, and I'm looking for a part of the room in which it wouldn't be blasphemous!'
'You can't find one, Cecil. I couldn't—here. And her leaving us alone makes it all the more impossible.'
The girl was seated on a stiff, blue silk settee, padded and buttoned, and made in a peculiar form in which three people can sit, turning their backs to one another. She leant her sweet face on her hand, her elbow on the peculiar kind of mammoth pincushion that at once combined and separated the three seats. (It had been known formerly as a 'lounge'—a peculiarly unsuitable name, as it was practically impossible not to sit in it bolt upright.)
Cecil stood opposite and looked down at her.
Happiness, and the hope of happiness, had given her beauty a different character. There was something touching, troubling about her. It seemed to him that she had everything: beauty, profane and spiritual; deep blue eyes, in which he could read devotion; womanly tenderness, and a flower-like complexion; a perfect figure, and a beautiful soul. He could be proud of her before the world, and he could delight in her in private. She appealed, he thought, to everything in a man—his vanity, his intellect, and his senses. The better he knew her, the more exquisite qualities he found in her. She was sweet, clever, good, and she vibrated to his every look. She was sensitive, and passionate. She was adorable. He was too fortunate! Then why did he think of a pale, tired, laughing face, with the hair dragged off the forehead, and Japanese eyes?… What folly! It was a recurring obsession.
'Cecil, what are you thinking about?'