He was not a prompt man, but he went at once to the telephone and gave orders to a shop in Bond Street that would result in a collection of fur-lined cloaks being sent for her choice that evening. This would please her; she would smile and try them on. Besides, it would prevent her catching cold.
CHAPTER VI
HARRY'S ENTERTAINMENT
Van Buren, who was a business man, was an idealist; while Harry de Freyne, the artist—was, emphatically, not.
Van Buren had been brought up on Thackeray and Dickens, above all on old pictures from Punch; Du Maurier's drawings enjoyed at an early age had made him romantic about everything connected with London. As soon as he was able to leave his bank in New York—in fact, the moment he had retired from business—he had realised his dream and come to live in London. And Harry seemed to him the incarnation of everything delightfully, amusingly English. He had a real hero-worship for Harry, who was so astonishingly clever as well. Van Buren was not a snobbish Anglomaniac, at least his snobbishness was not of the common quality nor about the obvious things; he was a little ashamed of his money, but he did not worship rank and titles; it was Intellect—but Intellect that had the stamp of fashion—that held a glamour for him. So did everything that he supposed to be modern, previous, and up-to-date. No one could ever, whether in New York or in London, have been in life less modern than poor Van Buren, though he was eminently contemporary and perhaps even in advance in matters connected with business. For business he had genius, and yet, curiously, no passion; he was unconsciously brilliant on the subject; it was hereditary. But in his innermost heart he believed that it was vulgar to be an American millionaire! And he had a childish horror of vulgarity, and an innocent belief that an Englishman who had been to Eton and Oxford and who was dans le mouvement, smart and good-looking, and had deserted diplomacy for art, must of necessity be refined, superior, cultured, everything that Van Buren wanted to be.
Of course he soon found out that Harry was frightfully hard up, and in the most delicate manner imaginable—a delicacy rather wasted on his friend—implored, as a special favour, to be allowed to be his banker. But Harry had refused, having vague ideas of much more important extent than a mere loan with regard to making Van Buren useful. He had thus gone up in his friend's estimation, at the same time placing him under a great and deeply felt obligation by gratifying his fancy for knowing clever people and celebrities.
At last the friendship had culminated in Harry's suggestion of a marriage between his young cousin, Daphne, and Van Buren. Harry felt that if he could compass this arrangement he would at one stroke give fortune to Daphne, freedom to himself—the child was very much in his way in Valentia's house—and make Van Buren eternally grateful.
Harry really liked Van Buren and respected him; he regarded him as touching, but also, at times, as a menace. A shadow sometimes came over their friendship, the alarming shadow of the future bore. What was now to his cynical mind screamingly funny about the American—his sensitive delicate feelings, his high standard of morals with regard to what he called the ladies, and illusions that one would rarely find in London in a girl of seventeen, might some day develop into priggishness and tediousness, and—especially—would take up too much time. For since Harry had been intimate with Van Buren he had discovered that the tradition of American hustling was, like most traditions, a fiction. Americans always have time; Englishmen never. The leisurely way in which Van Buren talked was an example of this—it was the way he thought; his brain worked slowly. Harry and his like have no time to drawl; they have to keep appointments.