CHAPTER XXVII
AUNT WILLIAM'S DAY
It was a chilly spring afternoon and Aunt William was seated by the fire doing wool-work, for she disapproved of the idle habits of the present day and thought that a lady should always have her fingers employed in some way; not, of course, either with cards or cigarettes. She was getting on steadily with the foot-stool she was making; a neat design of a fox's head with a background of green leaves. In the course of her life Aunt William had done many, many miles of wool-work. It was neither embroidery nor tapestry; it was made on canvas with what is known for some mysterious reason as Berlin wool; and was so simple that it used to be called the Idiot Stitch; but the curious elaboration of the design and sort of dignified middle-Victorian futility about it cast a glamour over the whole, and dispelled any association of idiocy from the complete work. A banner screen was now in front of the fire, which Aunt William had worked during a winter at St. Leonards, and which represented enormous squashed roses like purple cauliflowers, with a red-brown background—a shade called, in her youth, Bismarck brown, and for which she always retained a certain weakness.
It was her day, and on Aunt William's day she invariably wore a shot-silk dress, shot with green and violet; the bodice trimmed with bugles, the skirt plain and flowing. Aunt William did not have that straight-fronted look that is such a consolation to our modern women who are getting on in years, but went in decidedly at the waist, her figure being like a neat pincushion. Her voice was deep, her mind of a somewhat manly and decided order, so that the touches of feminine timidity or sentiment taught her in early youth sat oddly enough on her now. In reality she hated wool-work, but did it partly from tradition and partly from a contrary disposition; because other people didn't like it, and even because she didn't like it herself.
Her first visitor was a very old and dear friend of hers whom she particularly disliked and disapproved of, Lady Virginia Harper. Lady Virginia was a very tall, thin, faded blonde, still full of shadowy vitality, who wore a flaxen transformation so obviously artificial that not the most censorious person by the utmost stretch of malice could assume it was meant to deceive the public. With equal candour she wore a magnificent set of teeth, and a touch of rouge on each cheek-bone. To Aunt William's extreme annoyance Lady Virginia was dressed to-day in a strange medley of the artistic style combined oddly with a rather wild attempt at Parisian smartness. That is to say, in her cloak and furs she looked almost like an outside coloured plate on the cover of Paris Fashions; while when she threw it open one could see that she wore a limp crêpe de chine Empire gown of an undecided mauve, with a waist under the arms and puffed sleeves. On her head was a very smart bright blue flower toque, put on entirely wrong, with a loose blue veil hanging at the back. Had anything been required to decide the question of her looking grotesque, I should mention that she wore long mauve suède gloves. That settled it. A gold bag dangled from her left wrist, and she carried a little fan of carved ivory. She looked, naturally,—or unnaturally—slightly absurd, but had great distinction and no sort of affectation, while an expression that alternated between amiable enthusiasm and absent-minded depression characterised her shadowy indefinite features.
Aunt William received her with self-control, and she immediately asked for tea.
"Certainly. It is half-past three, and I regard five as tea-time. But as you wish, dear Virginia." Aunt William pulled the bell with manly vigour and ill-tempered hospitality.
"Have you heard that divine new infant harpist? He's perfectly exquisite—a genius. But the person I've come to talk to you about, Mary, is the new singer, Delestin. He's perfectly heavenly! And so good-looking! I've taken him up—quite—and I want you to be kind about him, dear Mary."
"I'll take two tickets for his concert," said Aunt William harshly. "But I won't go to the concert and I won't come and hear him sing."
"Now that's so like you, Mary! He isn't giving a concert, and I want you to hear him sing. He's too charming. Such a gentle soft creature, and so highly-strung. The other day after he had sung at my house—it was something of Richard Strauss's, certainly a very enervating song, I must own that—he simply fainted at the piano, and had to be taken away. So, if you give a party, do have him, dear Mary! You will, won't you?"