"Well, I am well, and I am not well, Master Savile, if you can understand that, sir. My harsthma" (so he pronounced it), "'as been exceedingly troublesome lately."
"Ah, that's capital!" Not listening, the boy—he was sixteen, dark, and very handsome, with a determined expression, and generally with an air of more self-control than seemed required for the occasion—walked up deliberately, three steps at a time, knocked, with emphasis, at his sister's dressing-room door, and said—
"I say, Felicity, can I come in?"
"Who's there? Don't come in!"
Upon which invitation he entered the room with a firm step.
"Oh, it's you, Savile darling. I am glad to see you! Dear pet! Come and tell me all about everything—papa and the party—and, look out, dear, don't tread on my dresses! Give Mr. Crofton a chair, Everett. Even you mustn't sit down on a perfectly new hat!"
Felicity was a lovely little blonde creature about twenty-five years old, dressed in a floating Watteau-like garment of vaporous blue, painted with faded pink roses. She was seated in a large carved and gilded chair, opposite an excessively Louis-Quinze mirror, while her pale golden hair was being brushed out by a brown, inanimate-looking maid. Her little oval face, with its soft cloudy hair growing low on the forehead, long blue eyes, and rosebud mouth, had something of the romantic improbability of an eighteenth-century miniature. From the age of two Felicity had been an acknowledged beauty. She profited by her grasp of this fact merely by being more frank than most charming people, and more natural than most disagreeable ones. With little self-consciousness, she took a cool sportsmanlike pleasure in the effect she produced, and perhaps enjoyed the envy and admiration she had excited in her perambulator in Kensington Gardens almost as much as her most showy successes in later life.
The most effective of these (so far) had been her marriage. Hopelessly bowled over, as he called it, by her detailed loveliness, and not even frightened by her general brilliance, Lord Chetwode had insisted on her making the match of the previous season. He was a good-looking, amiable, and wealthy young man, who was as lavish as if he had not had a penny, and who showed his extravagantly long descent chiefly by being (for a racing man) rather eccentrically interested in the subject of decoration.
He was an owner of racehorses and a collector of curiosities, and these tastes gave him certain interests apart from his wife. He was, however, very much in love with her, and showed it chiefly by writing her nearly every day long, elaborate, and conspicuously illegible love-letters. She was not an expert in [handwriting], nor had she time or patience to decipher them. So she merely treasured them (unread) in a green and white striped silk box. For under all her outward sentimentality, Felicity was full of tenderness, especially for her husband. This was not surprising, for he was a most agreeable companion, a great friend, quite devoted to her, to his pretty home in London, and his picturesque old house in the country, from all of which, however, he was as a rule markedly absent. If one asked after Chetwode, the answer was nearly always that he was away.
He had chosen every detail of the house in Park Street with a patience worthy of his passion. In the bedroom, especially, not a concession was made, not a point stretched. All was purest Louis-Quinze. But in spite of this, and amidst all her tapestry and old French furniture, Felicity had a very contemporary air. About everything was the recent look characteristic of the home of a lately married couple. The room looked as if it had been decorated the day before for a twentieth-century Madame de Pompadour. But, if the background was almost archæological, the atmosphere was absolutely modern. In this incongruity was a certain fascination.