He put up the receiver and brought Weatherbee's box from the safe to the table under the hanging lamp. Seating himself, he took out the plan of the project and spread it before him. He had not closed the lid, and presently his eyes fell on David's watch. He lifted it and, hesitating to open it, sat trying to recall that picture in the lower case. He wondered how, once having seen it, even in firelight and starshine, he could have forgotten it. The face would be younger of course, hardly more than a promise of the one he knew; still there would be the upward curling lashes, the suggestion of a fault in the nose, the piquant curve of the short, upper lip, and perhaps that pervading, illusive something that was the secret of her charm. "You were right, David, old man," he said at last, "it was a face to fight for, wait for. And madam, madam, a woman with a face like yours must have had some capacity for loving."

His hand was on the spring, but he did not press it. A noise outside in the corridor arrested him. He knew it was too soon for Banks to arrive, but he laid the watch back in the box and closed the lid. "You will never marry Frederic Morganstein," he said, and rising, began to walk the floor. "It would be monstrous. You must not. You will not. I shall not let you."

CHAPTER XVIII

THE OPTION

Vivian count stood on the first hill. The brick walls of the business center filled the levels below, and Mrs. Weatherbee's windows, like Tisdale's, commanded the inner harbor rimmed by Duwamish Head, with a broader sweep of the Sound beyond framed in wooded islands and the snow-peaks of the Olympic Peninsula. Southeastward, from her alcove, lifted the matchless, solitary crest of Rainier. It was the morning following the cruise on the Aquila, and Mrs. Weatherbee was taking a light breakfast in her room. The small table, placed near an open casement, allowed her to enjoy both views. She inhaled the salt breeze with the gentle pleasure of a woman whose sense has been trained, through generations, to fine and delicate perfumes; her eyes caught the sapphire sparkle of the sea, and her face had the freshness and warmth of a very young girl's. The elbow length of the sleeve exposed a forearm beautifully molded, with the velvety firmness of a child's; and the wistaria shade of her empire gown intensified the blue tones in the dark masses of her hair. In short, she stood for all that is refined, bright, charming in womanhood; and not for any single type, but a blending of the best in several; the "typical American beauty" that Miles Feversham had named her.

Her glance moved slowly among the shipping. The great steamship leaving the Great Northern docks was the splendid liner Minnesota, sailing for Japan; the outbound freighter, laden to the gunwales and carrying a deckload of lumber, was destined for Prince William Sound. She represented Morganstein interests. And when her eyes moved farther, in the direction of the Yacht Club, there again was the Aquila, the largest speck in the moored fleet. A shadow crossed her face. She rose and, turning from the windows, stood taking an inventory that began with the piano, a Steinway mellowed by age, and ended at a quaint desk placed against the opposite wall. It was very old; it had been brought in her great-grandfather's time from Spain, and the carving, Moorish in design, had often roused the enthusiastic comment of her friends. Appraising it, her brows ruffled a little; the short upper lip met the lower in a line of resolve. She went to her telephone and found in the directory the number of a dealer in curios. But as she reached for the receiver, she was interrupted by a knock and, closing the book hastily, put it down to open the door.

A bell-boy stood holding a rare scarlet azalea in full flower. In its jardiniere of Satsuma ware it was all his arms could compass, and a second boy followed with the costly Japanese stand that accompanied it. There was no need to read the name on the card tied conspicuously among the stiff leaves. The gift was from Frederic Morganstein. It had arrived, doubtless, on an Oriental steamer that had docked the previous evening while the Aquila made her landing. Mrs. Weatherbee had the plant placed where the sunshine reached it through the window of the alcove, and it made a gay showing against the subdued gray of the walls. Involuntarily her glance moved from it to the harbor, seeking the Minnesota, now under full headway off Magnolia Bluff. It was as though, in that moment, her imagination out-traveled the powerful liner, and she saw before her that alluring country set on the farther rim of the Pacific.

The steamship passed from sight; she turned from the window. The boy had taken away the breakfast tray and had left a box on the table. It was modest, violet-colored, with Hollywood Gardens stamped on the cover, but she hurried with an incredulous expectancy to open it. For an instant the perfume seemed to envelop her, then she lifted the green waxed paper, and a soft radiance shone in her face. It was only a corsage bouquet, but the violets, arranged with a few fronds of maidenhair, were delightfully fresh. She took them out carefully. For a moment she held them to her cheek. But she did not fasten them on her gown; instead she filled a cut-glass bowl with water and set them at the open casement in the shade. A cloud of city smoke, driving low, obscured the Aquila; the freighter bound for Prince William Sound rounded Magnolia Bluff, but clearly she had forgotten these interests; she stood looking the other way, through the southeast window, where Rainier rose in solitary splendor. A subdued exhilaration possessed her. Did she not in imagination travel back over the Cascades to that road to Wenatchee, where, rising to the divide, they had come unexpectedly on that far view of the one mountain? Then her glance fell again to the violets, and she lifted the bowl, leaning her cheek, her forehead, to feel the touch of the cool petals and inhale their fragrance.

She had not looked for Tisdale's card, but presently, in disposing of the florist's box, she found it tucked in the folds of waxed paper. He had written across it, not very legibly, with his left hand,

"I want to beg your pardon for that mistake I made. I know you never will put any man in David Weatherbee's place. You are going to think too much of him. When you are ready to make his project your life work, let me know."