[THE PRINCIPLES WHICH LEAD AND DIRECT PHILOSOPHICALINQUIRIES, AS ILLUSTRATED BY THE HISTORY OF ASTRONOMY][325-326]
SEC. Ⅰ. Of the Effects of Unexpectedness, or of Surprise[326-329]
SEC. Ⅱ. Of Wonder, or the Effects of Novelty[329-337]
SEC. Ⅲ. Of the Origin of Philosophy[338-342]
SEC. Ⅳ. The History of Astronomy[342-384]

[THE PRINCIPLES WHICH LEAD AND DIRECT PHILOSOPHICALINQUIRIES, ILLUSTRATED BY THE HISTORY OF THE ANCIENTPHYSICS][385-395]

[THE PRINCIPLES WHICH LEAD AND DIRECT PHILOSOPHICALINQUIRIES, ILLUSTRATED BY THE HISTORY OF ANCIENTLOGICS AND METAPHYSICS][395-405]

[OF THE NATURE OF THAT IMITATION WHICH TAKES PLACE INWHAT ARE CALLED THE IMITATIVE ARTS][405]
Part Ⅰ., [405-415]. Part Ⅱ., [415-432]. Part III[432-434]

[OF THE AFFINITY BETWEEN MUSIC, DANCING, AND POETRY][435-438]

[OF THE EXTERNAL SENSES][438-439]
Of the Sense of Touching, [439-444]. Of the Sense of Tasting, [444-445]. Of the Sense of Smelling, [445]. Of the Sense of Hearing, [445-450]. Of the Sense of Seeing[450-468]

[OF THE AFFINITY BETWEEN CERTAIN ENGLISH AND ITALIANVERSES][468-473]

THE

THEORY

OF

MORAL SENTIMENTS


Part Ⅰ.—Of the Propriety of Action.

SEC. Ⅰ.—OF THE SENSE OF PROPRIETY.