But what Cimon must have felt upon this occasion could not so much be Surprise, as Wonder and Admiration. All that I contend for is, that the sentiments excited by what is new, by what is unexpected, and by what is great and beautiful are really different, however the words made use of to express them may sometimes be confounded. Even the admiration which is excited by beauty, is quite different (as will appear more fully hereafter) from that which is inspired by greatness, though we have but one word to denote them.
These sentiments, like all others when inspired by one and the same object, mutually support and enliven one another: an object with which we are quite familiar, and which we see every day, produces, though both great and beautiful, but a small effect upon us; because our admiration is not supported either by Wonder or by Surprise: and if we have heard a very accurate description of a monster, our Wonder will be the less when we see it; because our previous knowledge of it will in a great measure prevent our Surprise.
It is the design of this essay to consider particularly the nature and causes of each of these sentiments, whose influence is of far wider extent than we should be apt upon a careless view to imagine. I shall begin with Surprise.
SEC. Ⅰ.—Of the Effect of Unexpectedness, or of Surprise.
WHEN an object of any kind, which has been for some time expected and foreseen, presents itself, whatever be the emotion which it is by nature fitted to excite, the mind must have been prepared for it, and must even in some measure have conceived it before-hand; because the idea of the object having been so long present to it, must have before-hand excited some degree of the same emotion which the object itself would excite: the change, therefore, which its presence produces comes thus to be less considerable, and the emotion or passion which it excites glides gradually and easily into the heart, without violence, pain or difficulty.
327 But the contrary of all this happens when the object is unexpected; the passion is then poured in all at once upon the heart, which is thrown, if it is a strong passion, into the most violent and convulsive emotions, such as sometimes cause immediate death; sometimes, by the suddenness of the ecstacy, so entirely disjoint the whole frame of the imagination, that it never after returns to its former tone and composure, but falls either into a frenzy or habitual lunacy; and such as almost always occasion a momentary loss of reason, or of that attention to other things which our situation or our duty requires.
How much we dread the effects of the more violent passions, when they come suddenly upon the mind, appears from those preparations which all men think necessary when going to inform any one of what is capable of exciting them. Who would choose all at once to inform his friend of an extraordinary calamity that had befallen him, without taking care before-hand, by alarming him with an uncertain fear, to announce, if one may say so, his misfortune, and thereby prepare and dispose him for receiving the tidings?
Those panic terrors which sometimes seize armies in the field, or great cities, when an enemy is in the neighbourhood, and which deprive for a time the most determined of all deliberate judgments, are never excited but by the sudden apprehension of unexpected danger. Such violent consternations, which at once confound whole multitudes, benumb their understandings, and agitate their hearts, with all the agony of extravagant fear, can never be produced by any foreseen danger, how great soever. Fear, though naturally a very strong passion, never rises to such excesses, unless exasperated both by wonder, from the uncertain nature of the danger, and by surprise, from the suddenness of the apprehension.
Surprise, therefore, is not to be regarded as an original emotion of a species distinct from all others. The violent and sudden change produced upon the mind, when an emotion of any kind is brought suddenly upon it, constitutes the whole nature of Surprise.