Such were the philosophers who aimed at solving the problem of knowledge and being from the intellectual side. Jacobi on the other hand attempted it from the emotional. Perceiving the necessity of finding some justification for the material element which Kant had assumed in his philosophy, he sought it in faith, in intuition, in the direct inward revelation of truth to the human mind. He thought that, as sensation gives us an immediate knowledge of the world, so there is an inward sense by which we have a direct and immediate revelation of supernatural truth. It is this inward revelation which gives us access to the material of truth. His position was analogous to that of Schelling, but he asserted the element of feeling as well as intuition.

These philosophies, of Fichte, Schelling, and Jacobi, formed one class of influences, which were operating about the beginning of the century, and were the means of redeeming alike German literature and theology. Their first effect was to produce examination of the primary principles of belief, to excite inquiry; and, though at first only reinforcing the idea of morality, they ultimately drew men out of themselves into aspirations after the infinite spirit, and developed the sense of dependence, of humility, of unselfishness, of spirituality. They produced indeed evil effects in pantheism and ideology;[740] but the results were partial, the good was general. The problem, What is truth?—was through their means remitted to men for reconsideration; and the answers to it elicited, from the one [pg 239] school,—It is that which I can know:—from the other,—It is that which I can intuitively feel:—threw men upon those unalterable and infallible instincts which God has set in the human breast as the everlasting landmarks of truth, the study of which lifts men ultimately out of error.

These systems had even a still more direct effect on the public mind. They were the means of creating a literature, which insinuated itself into public thought, and familiarised society with spiritual apprehensions long obliterated. The school of literature commonly called the Romantic,[741] commencing with such writers as Schlegel and Novalis, fanciful as it may in some respects seem to be, created the same change in the belief and tastes of the German mind as the contemporary school of Lake Poets in England. The German literature bore the marks either of the old scholasticism, or of the materialism introduced from France, or of the classic culture introduced by Lessing and his coadjutors. The element now revived was the mediæval element of chivalry, the high and lofty courage, the delicate æsthetic taste, which had marked the middle ages. Herder,[742] to whom Germany owes much, disgusted with the stoical and analytic spirit of the Kantian philosophy, had already attempted, and not in vain, to throw the mind back to an appreciation of old history, and especially had manifested an enthusiastic admiration of Hebrew literature; but now, as if by one general movement, the public taste was turned to an appreciation of the freshness of feeling, and fine elements of character, which existed in the Christianity of the middle ages.[743]

This literary movement prepared the way for and accompanied another, which, though occurring a little later, may be reckoned as the third influence which caused a religious reaction. Indeed it is the one to which the Germans attribute the chief effect. It is found in the outburst of national patriotism which took place in the liberation wars of 1813;[744] the spontaneous chivalry which made the heart of Germany beat as the heart of one man, to endeavour to hurl back Napoleon beyond the limits of the common fatherland. In that moment of deep public suffering, the poetry and piety of the human heart brought back the idea of God, and a spirit of moral earnestness. The national patriotism,[745] which still lives in the poetry of the time, expelled selfishness: sorrow impressed men with a sense of the vanity of material things, and made their hearts yearn after the immaterial, the spiritual, the immortal: the sense of terror threw them upon the God of battles. It was the age of Marathon and Salamis revived; and the effect was not less wonderful.[746]

A fourth influence remains to be noticed, which was in its nature more strictly theological, and limited to the church. When after the return of peace the tercentenary of the Reformation was celebrated in 1817, an obscure theologian at Kiel, named Harms,[747] [pg 241] published a set of theses as supplements to the celebrated theses of Luther, which, by the excitement and controversy unexpectedly occasioned by them, turned attention anew to the study of the reformational and biblical theology, and created a revival of the spiritual element which was too much forgotten.

Such were the four influences—the philosophical, the literary, the political, the spiritual,—which entered into German life, and produced or increased the reaction that took place in German theology in the period which we are about to sketch.

We placed the limits of this second period from about 1810 till the literary revolution caused by alarm at Strauss's work in 1835.[748] It was in 1810, in the depth of Prussian humiliation, when Halle had passed into one of the kingdoms dependent on France, that the university of Berlin was founded. Schleiermacher, Neander, and De Wette, were its teachers. The first was the soul of its theological teaching; and through his agency it became the great source of a religious reaction. It is around these names that our studies most centre. The signs indeed of some other movements are traceable. The deistic rationalism is not dead, but it is dying: it is a thing of the past: a return to strict dogmatic orthodoxy is also visible in the Lutheran clergy rather than in the university; but it is as yet in its infancy: and a new form of gnosticism is observable in the philosophy of Hegel, but the full development of it belongs to the next period. The field is now occupied by the partial reaction to orthodoxy, which aimed at a reconciliation of science and piety, of criticism and faith.[749] Schleiermacher, with is follower Neander, will typify the philosophical and [pg 242] more orthodox side of it; perhaps De Wette, and at the end of the period Ewald, the critical.

Schleiermacher[750] was by education and sympathy eminently fitted to attempt the harmony of science and faith, to which he devoted his life. Gifted with an acute and penetrating intellect, capable of grappling with the highest problems of philosophy and the minutest details of criticism, he could sympathise with the intellectual movement of the old rationalism; while his fine moral sensibility, the depth and passionateness of his sympathy, the exquisite delicacy of his taste and brilliancy of imagination, were in perfect harmony with the literary and æsthetic revival which was commencing. German to the very soul, he possessed an enthusiastic sympathy with the great literary movements of his age, philosophical, classical, or romantic. The diligent student and translator of Plato,[751] his soul was enchanted with the mixture at once of genius, poetry, feeling, and dialectic, which marks that prince of thinkers, and he was prepared by it for understanding the speculations of his time. The dialectical process through which Plato's mind had passed ([30]) represents not improbably, in some degree, the history of Schleiermacher's own mental development as traceable in his works. The conviction derived from Plato's early dialogues, that the mind, in travelling outward to study the objective, could not prove the highest realities, but must have faith in its own faculties, prepared him for imbibing the philosophy of Jacobi. The looking inward [pg 243] to the deep utterances of the soul, the interpretation of the objective world by means of the internal, prepared him for Fichte. The mystical attempt to understand the ideas themselves, to use the archetype for creating an ontology from the objective side, observable in Plato's latest works, found its parallel in Schelling. Schleiermacher had large sympathies with these three processes, but mainly with the first; which was to be expected from his purpose. Aiming at gaining spiritual certitude rather than speculating for intellectual gratification, Jacobi's philosophy appeared to combine the excellences of the other two systems, the subjective character of the one, and the intuitional of the other; with the additional advantage of seeming to give expression to the instincts of the heart, as well as the intuitions of the mind. Beyond all these qualities, Schleiermacher inherited from his Moravian education the spirit of pietism, which, almost extinguished by the recent activity of mind, had retired to the quiet sphere where a Stilling[752] or an Oberlin[753] communed with God and laboured for man.

Possessing therefore the two great elements which had been united in the Reformation,—endowed on the one hand with the largest sympathy with every department of the intellectual movement, and the mastery of its ripest erudition, and at the same time with a soul kindled with a hearty love for Christianity,—he was fitted to become the Coryphæus of a new reformation, to attempt again a final reconciliation of knowledge and faith. Whether we view him in his own natural gifts and susceptibilities; in the aim of his life; in his mixture of reason and love, of philosophy and criticism, of [pg 244] enthusiasm and wisdom, of orthodoxy and heresy; or regard the transitory character of his work, the permanence of his influence; church history offers no parallel to him since the days of Origen.[754]

His early education was received in the university of Halle; an institution which had long been the home of pietism, and has continued with but few intervals[755] to evince much of the same Christian spirit. He became professor there early in the century,[756] until the town passed, as already stated, into the power of the French. He removed to Berlin when that university was founded,[757] and continued to exercise his influence there, from the pulpit and the professor's chair, for a quarter of a century, until his death.[758]