Florence commented that evening on his pale and wearied countenance, but he smiled at her questions, and would not allow that anything ailed him. He sat by her side for the greater part of the evening. It was as well, he thought, to be chary of Enid's companionship. She was so sweet, so frank, that she beguiled him into imprudent frankness in return. He would not sit beside her at the piano therefore, or walk with her upon the terrace, although she looked prettier than ever, with a new wistful light in her blue eyes, a rose-flush upon her delicate cheeks. He knew that she was disappointed when he did not come; no matter—the child must not look on him as anything but a casual acquaintance who had spoken a few rash words of compliment which it were idle to take too seriously; and he would stay with Florence.
"Enid looks well to-night," said his sister, in her soft careless tones. "She is a pretty little thing when in good health."
"Is she delicate?" Hubert asked, in some surprise.
"She has nervous attacks; she has had them at intervals ever since she was nine years old." Nine years old—the date of her father's death!—as Hubert knew. "At first we thought they were of an epileptic kind; but the doctors say that they are purely nervous, and will cease when she is older and stronger."
Hubert inquired no further. The subject was disagreeable to him, inasmuch as it connected Enid's health with her parent's fate and his sister's disastrous influence upon the family. It was always a matter of keen regret to him that he had not been able to hinder Florence's marriage, which she had prudently made a matter of secrecy until it was too late for the General's friends to interfere. Her calm appropriation of the position which she had secured, and, above all, the pseudo-maternal way in which she spoke of Enid, irritated Hubert almost beyond endurance.
He went back to London on the following day, promising to return to Beechfield Hall before long. For some reason or other he felt eager to get away—the air of the place seemed to excite his sensibilities unduly, he told himself. It struck him afterwards that Enid looked very pale and downcast when she bade him good-bye. He took his leave of her hurriedly, feeling as if he did not like to look her full in the face. He was afraid, that if he looked, he would be only too sure of what he guessed—that her eyes were full of tears. He was almost glad that a speedy return to London was incumbent upon him. He had next day to superintend the rehearsal of his new play, which was shortly to be produced at one of the smaller theatres; and as soon as he reached his apartments he was immersed in business of every kind.
The next morning's rehearsal was followed by luncheon with friends, and attendance at a matinée given for the benefit of the widow and children of an actor—a performance at which Hubert thought it well to be present, although he invariably bemoaned the loss of time. The piece was not over until six o'clock, and he amused himself afterwards by going behind the scenes, and chatting with some of his acquaintances among actors, actresses, managers, and critics. Thus it was nearly seven before he issued from the theatre, in a street off the Strand, and the day was already drawing to a close. The lamps were lighted and a fog was gathering, through which their beams assumed a yellow and unnatural intensity. Hubert stood on the edge of the pavement, leisurely drawing on his gloves and looking out for a hansom, contrasting meanwhile the glories of the Strand with those of the autumn woods in Hampshire, when his attention was arrested by the sound of a woman's voice.
"If you please, Mr. Lepel, may I speak to you?"
He turned round hastily, and, after a moment's hesitation, recognised the girl who had addressed him as a young actress whom he had lately come to know. She had been playing a very small part in the comedy which he had just seen. He vaguely remembered having heard her name—she was known on the bills as Miss Cynthia West.