IN MR. BROOKE'S STUDY.
Caspar Brooke's dingy drawing-room looked cheerful enough that night, filled by a crowd of men and women, and animated by the buzz of constant talk and movement. It was a distinguishing characteristic of his parties that they were composed more of men than of women; and the guests were often men or women who had done something in the world, and were known for some special excellence in their work. Lesley generally enjoyed these gatherings very much. The visitors were shabby, unfashionable people sometimes: they had eccentricities of dress and manner; but they were always interesting in Lesley's eyes. Literary men, professors, politicians, travelers, philanthropists, faddists—these were the folk that mostly frequented Caspar Brooke's parties. Neither artists nor musicians were largely represented: the flow of talk was rather political and literary than artistic; and on the whole there were more elderly people than young ones. As a rule, Oliver Trent was not disposed to frequent these assemblies: he shrugged his shoulders at them and called them "slow," but on this occasion he was only too glad to find admittance. It was at least a good opportunity for watching Lesley, as she passed from one group to another, doing the duties of assistant-hostess with grace and tact, giving a smile to one, a word to another, entering into low-toned conversation, which brightened her eyes and flushed her fair cheek, with another. Oliver thought her perfection. Beside her stately proportions, Ethel seemed to him ridiculously tiny and insignificant, and her sparkling prettiness was altogether eclipsed by Lesley's calmer beauty. He was not in an amiable mood. He had steeled himself against the dictates of his own taste and conscience, to encounter Caspar Brooke's cold stare and freezing word of conventional welcome, because he longed so intensely for a last word with Lesley; but he was now almost sorry that he had come. Lesley seemed utterly indifferent to his presence. She certainly carried his flowers in her hand, but she did not glance his way. On the contrary, she anxiously watched the door from time to time, as if she awaited the coming of some one who was slow to make his appearance. Who could the person be for whom she looked? Oliver asked himself jealously. He had not the slightest suspicion that she was watching for Maurice Kenyon. And Maurice Kenyon did not come.
It was his absence that, as the evening wore on, made the color slip from Lesley's cheeks and robbed her eyes of their first brightness. A certain listlessness came over her. And Oliver, watching from his corner, exulted in his heart, for he thought to himself—
"It is for me she is looking sad; and if she will but yield her will to mine, I will win and wear her yet, in spite of all who would say me nay."
It was a veritable love-madness, such as had not come upon him since the days of his youth. He had had a fairly wide experience of love-making; but never had he been so completely mastered by his passion as he was now. The consideration that had once been so potent with him—love of ease, money, and position—seemed all to have vanished away. What mattered it that to abandon Ethel Kenyon at the last moment would mean disgrace and perhaps even beggary? He had no care left for thoughts like these. If Lesley would acknowledge her love for him, he was ready to throw all other considerations to the winds.
"Sing something, Lesley," her father said to her when the evening was well advanced. "You have your music here?"
Oh, yes, Lesley had her music here. But she glanced a little nervously in Oliver's direction. "I wonder if Ethel would accompany me," she said. She shrank nervously from the thought of Oliver's accompaniments.
But Oliver was too quick for her. He moved forward to the piano as soon as he saw Caspar Brooke's eye upon it. And with his hand on the key-board, he addressed himself suavely to Lesley.
"You are going to sing, I hope? May I not have the pleasure of accompanying you?"
Lesley could not say him nay, but she also could not help a glance, half of alarm, half of appeal, towards her father. Mr. Brooke's face wore an expression which was not often seen upon it at a social gathering. It was distinctly stormy—there was a frown upon the brow, and an ominous setting of the lips which more than one person in the room remarked. "How savage Brooke looks!" one guest murmured into another's ear. "Isn't he friendly with Trent?" And the words were remembered in after days.