"I shall have to plead guilty," Lettice answered, smiling a little. "I have left my fair Persian, Fluff, in the care of my maid, Milly, who is to bring her to London as soon as I can get into my new home."
"Fluff," said Clara, meditatively, "is the creature with a tail as big as your arm, and a ruff round her neck, and Milly is the pretty little housemaid; I remember and approve of them both."
The subject of the new house served them until they went upstairs into Clara's bright little drawing-room, which Graham used to speak of disrespectfully as his wife's doll's house. It was crowded with pretty but inexpensive knick-knacks, the profusion of which was rather bewildering to Lettice, with her more simple tastes. Of one thing she was quite sure, that she would not, when she furnished her own rooms, expend much money in droves of delicately-colored china pigs and elephants, which happened to be in fashion at the time. She also doubted the expediency of tying up two peacocks' feathers with a yellow ribbon, and hanging them in solitary glory on the wall flanked by plates of Kaga ware, at tenpence-halfpenny a-piece. Lettice's taste had been formed by her father, and was somewhat masculine in its simplicity, and she cared only for the finer kinds of art, whether in porcelain or painting. But she was fain to confess that the effect of Clara's decorations was very pretty, and she wondered at the care and pains which had evidently been spent on the arrangement of Mrs. Graham's "Liberty rags" and Oriental ware. When the soft yellow silk curtains were drawn, and a subdued light fell through the jewelled facets of an Eastern lamp upon the peacock fans and richly-toned Syrian rugs, and all the other hackneyed ornamentation by which "artistic" taste is supposed to be shown, Lettice could not but acknowledge that the room was charming. But her thoughts flew back instantly to the old study at home, with its solid oak furniture, its cushioned window-seats, its unfashionable curtains of red moreen; and in the faint sickness of that memory, it seemed to her that she could be more comfortable at a deal table, with a kitchen chair set upon unpolished boards, than in the midst of Clara's pretty novelties.
"You are tired," Mr. Graham said to her, watching her keenly as she sat down in the chair that he offered her, and let her hands sink languidly upon her lap. "We won't let you talk too much. Clara is going to see after her bairns, and I'm going to read the Pall Mall. Here's the May number of The Decade: have you seen it?"
She took it with a grateful smile; but she did not intend to read, and Mr. Graham knew it. He perused his paper diligently, but he was sufficiently interested in her to know exactly at what point she ceased to brood and began to glance at the magazine. After a little while, she became absorbed in its pages; and only when she laid it down at last, with a half suppressed sigh, did he openly look up to find that her eyes were full of tears.
"I hope that you discovered something to interest you," he said.
"I was reading a poem," Lettice answered, rather guiltily.
"Oh—Alan Walcott's 'Sorrow'? Very well done, isn't it? but a trifle morbid, all the same."
"It is very sad. Is he—has he had much trouble?"
"I'm sure I couldn't tell you. Probably not, as he writes about it," said Graham, grimly. "He's a pessimist and a bit of a dilletante. If he would work and believe in himself a little more, I think he might do great things."