[230]. The lines contain a tradition of the wide extent of the old Pelasgic rule, including Thessalia, or the Pelasgic Argos, between the mouths of Peneus and Pindos, Perrhæbia, Dodona, and finally the Apian land or Peloponnesos.
[231]. The true meaning of the word “Apian,” as applied to the Peloponnesos, seems to have been “distant.” Here the myth is followed which represented it as connected with Apis the son of Telchin (son of Apollo, in the sense of being a physician-prophet), who had freed the land from monsters.
[232]. The description would seem to indicate—(1) that the daughter of Danaos appeared on the stage as of swarthy complexion; and (2) that Indians, Æthiopians, Kyprians, and Amazons, were all thought of as in this respect alike.
[233]. The line is conjectural, but some question of this kind is implied in the answer of the Chorus.
[234]. By sacrificing personal likings to schemes of ambition, men and women contract marriages which increase their power.
[235]. The Gods of conflict are the pilots of the ship of the State. The altar dedicated to them is as its stern: the garlands and wands of suppliants which adorn it are as the decorations of the vessels.
[236]. Some editors have seen in this an attempt to enlist the constitutional sympathies of an Athenian audience in favour of the Argive king, who will not act without consulting his assembly. There seems more reason to think that the aim of the dramatist was in precisely the opposite direction, and that the words which follow set forth his admiration for the king who can act, as compared with one who is tied and hampered by restrictions.
[237]. By an Attic law, analogous in principle to that of the Jews, (Num. xxxvi. 8; 1 Chron. xxiii. 22), heiresses were absolutely bound to marry their next of kin, if he claimed his right. The king at once asserts this as the law which was primâ facie applicable to the case, and declares himself ready to surrender it if the petitioners can show that their own municipal law is on the other side. He will not thrust his country's customs upon foreigners, who can prove that they live under a different rule, but in the absence of evidence must act on the law which he is bound officially to recognise.
[238]. Sc., the pollution which the statues of the Gods would contract if they carried into execution their threat of suicide.
[239]. Inachos, the river-God of Argos, and as such contrasted with Neilos.