"Oh, yes, he will do it. I investigated for him a little matter which might have caused a grave scandal. All was solved with discretion and delicacy, and now, as you would say, he perches upon my hand like the little bird and pecks the crumbs."
Our first step was to engage the services of an artist in "make up." He was a little man, with a quaint bird-like turn of the head, not unlike Poirot's own. He considered me some time in silence, and then fell to work. When I looked at myself in the glass half an hour afterwards, I was amazed. Special shoes caused me to stand at least two inches taller, and the coat I wore was arranged so as to give me a long, lank, weedy look. My eyebrows had been cunningly altered, giving a totally different expression to my face, I wore pads in my cheeks, and the deep tan of my face was a thing of the past. My moustache had gone, and a gold tooth was prominent on one side of my mouth.
"Your name," said Poirot, "is Arthur Neville. God guard you, my friend—for I fear that you go into perilous places."
It was with a beating heart that I presented myself at the Savoy, at an hour named by Mr. Ryland, and asked to see the great man.
After being kept waiting a minute or two, I was shown upstairs to his suite.
Ryland was sitting at a table. Spread out in front of him was a letter which I could see out of the tail of my eye was in the Home Secretary's handwriting. It was my first sight of the American millionaire, and, in spite of myself, I was impressed. He was tall and lean, with a jutting out chin and slightly hooked nose. His eyes glittered cold and gray behind penthouse brows. He had thick grizzled hair, and a long black cigar (without which, I learned later, he was never seen) protruded rakishly from the corner of his mouth.
"Siddown," he grunted.
I sat. He tapped the letter in front of him.
"According to this piece here, you're the goods all right, and I don't need to look further. Say, are you well up in the social matters?"
I said that I thought I could satisfy him in that respect.