“I think that you should write for the Kinema, mon ami,” he remarked at last.
“You mean—?”
“It would make a good film, the story that you have recounted to me there—but it bears no sort of resemblance to everyday life.”
“I admit that I haven’t gone into all the details, but—”
“You have gone further—you have ignored them magnificently. What about the way the two men were dressed? Do you suggest that after stabbing his victim, Conneau removed his suit of clothes, donned it himself, and replaced the dagger?”
“I don’t see that that matters,” I objected rather huffily. “He may have obtained clothes and money from Madame Daubreuil by threats earlier in the day.”
“By threats—eh? You seriously advance that supposition?”
“Certainly. He could have threatened to reveal her identity to the Renaulds, which would probably have put an end to all hopes of her daughter’s marriage.”
“You are wrong, Hastings. He could not blackmail her, for she had the whip hand. Georges Conneau, remember, is still wanted for murder. A word from her and he is in danger of the guillotine.”
I was forced, rather reluctantly, to admit the truth of this.