"And what does Mistress Hortense say?"

"I think," answers Rebecca meditatively, "from the quantity of love-verse writ, she must keep saying—No."

Then Lady Kirke turns to bid us all go to the Duke's Theatre, where the king's suite would appear that night. Rebecca, of course, would not go. Her father would be expecting her when he came home, she said. So Pierre Radisson and I escorted Lady Kirke and her daughter to the play, riding in one of those ponderous coaches, with four belaced footmen clinging behind and postillions before. At the entrance to the playhouse was a great concourse of crowding people, masked ladies, courtiers with pages carrying torches for the return after dark, merchants with linkmen, work folk with lanterns, noblemen elbowing tradesmen from the wall, tradesmen elbowing mechanics; all pushing and jostling and cracking their jokes with a freedom of speech that would have cost dear in Boston Town. The beaux, I mind, had ready-writ love-verses sticking out of pockets thick as bailiffs' yellow papers; so that a gallant could have stocked his own munitions by picking up the missives dropped at the feet of disdainfuls. Of the play, I recall nothing but that some favourite of the king, Mary Davies, or the famous Nell, or some such an one, danced a monstrous bold jig. Indeed, our grand people, taking their cue from the courtiers' boxes, affected a mighty contempt for the play, except when a naughty jade on the boards stepped high, or blew a kiss to some dandy among the noted folk. For aught I could make out, they did not come to hear, but to be heard; the ladies chattering and ogling; the gallants stalking from box to box and pit to gallery, waving their scented handkerchiefs, striking a pose where the greater part of the audience could see the flash of beringed fingers, or taking a pinch of snuff with a snap of the lid to call attention to its gold-work and naked goddesses.

"Drat these tradespeople, kinsman!" says Lady Kirke, as a fat townsman and his wife pushed past us, "drat these tradespeople!" says she as we were taking our place in one of the boxes, "'tis monstrous gracious of the king to come among them at all!"

Methought her memory of Sir John's career had been suddenly clipped short; but Pierre Radisson only smiled solemnly. Some jokes, like dessert, are best taken cold, not hot.

Then there was a craning of necks; and the king's party came in, His Majesty grown sallow with years but gay and nonchalant as ever, with Barillon, the French ambassador, on one side and Her Grace of Portsmouth on the other. Behind came the whole court; the Duchess of Cleveland, whom our wits were beginning to call "a perennial," because she held her power with the king and her lovers increased with age; statesmen hanging upon her for a look or a smile that might lead the way to the king's ear; Sir George Jeffreys, the judge, whose name was to become England's infamy; Queen Catherine of Braganza, keeping up hollow mirth with those whose presence was insult; the Duke of York, soberer than his royal brother, the king, since Monmouth's menace to the succession; and a host of hangers-on ready to swear away England's liberties for a licking of the crumbs that fell from royal lips.

Then the hum of the playhouse seemed as the beating of the north sea; for Lady Kirke was whispering, "There! There! There she is!" and Hortense was entering one of the royal boxes accompanied by a foreign-looking, elderly woman, and that young Lieutenant Blood, whom we had encountered earlier in the day.

"The countess from Portugal—Her Majesty's friend," murmurs Lady Kirke. "Ah, Pierre, you have done finely for us all!"

And there oozed over my Lady Kirke's countenance as fine a satisfaction as ever radiated from the face of a sweating cook.

"How?" asks Pierre Radisson, pursing his lips.