"No, mam, I don't think much of it! In Smelter City, there wuz curcuses; an' elephants on all the bills of fare; an' loidies dancin' on th'r heads! Faather sez if I keep on dancin' as foine as I do now, mebbie I'll be able t' dance on m' head; but I wouldn't like to dance without any skeerts, wud y'?"

"No, A wouldn't," answered the preacher quickly; and Eleanor laughed.

It was all so ludicrously pathetic. They asked her if she would not like to come down with them to the Indian School; and she looked wistfully and did not answer. Oh, God of Little Children, where are You? Are the Lambs outside the fold not Yours also?

When they pointed out the creatures of the woods to her, they found she did not know a squirrel from a chipmunk; and she pronounced the merry chattering "odjus." When a cat bird came tittering on his tail, squeaking out every imaginary note of gladness and the frontiersman explained that this fellow sang only after his family had been raised whereas the other birds sang before, she said he "wazn't as interestin' as th' elephants on the bill o' fare."

"Let's see! There's three trails here about!" Matthews was cogitating with his gaze on Eleanor. "There's the one across to the Upper Mesas; an' there's one back behind over th' shoulder of the Holy Cross down to the Lake Behind the Peak; an' there ought to be one between, runnin' up to the snows! Think y'r good for climbin' over this windfall while A carry this little puss on m' shoulder? Steer for the snow ahead! Don't mind my laggin' back! Go on ahead an' wait for us! A'm goin' t' see if A can't mine down to some gold beneath th' slime o' th' slums! It's not in the course o' nature that any child should be blind t' this world, Miss Eleanor, if A can open th' doors for her! Go ahead; an' if y' find a good sittin' down place, just rest quiet an' wait for us an' don't worry if we're long comin'! If A can't make her love God's big play ground, A'm no preacher!"

Eleanor laughed. Her last mining down to veins of gold had not been a particular success. She looked back at the two; the massive thewed frontiersman with the shock of white hair and ruddy cheeks and almost boyish eyes; the little tawdry bundle of rags on his shoulder, with the black hollow eyes full of nameless fear and nameless knowledge, and the little old hard mouth with a dreadful tense sadness about the droop. She heard the big genial voice with the roll of Scotch-Canadian drawling out its r's, and the child's thin "Yes, Sor, m' Faather;" then the child burst into a joyous laugh. Eleanor wondered what he could have said to elicit that laugh. When she glanced back, the old frontiersman had Lizzie standing on his outstretched hand holding to a branch overhead peering in a deserted hawk's nest. Even as Eleanor looked, the little future acrobat went scrabbling up into the tree with another joyous laugh.

Then, with that spirit of the child, which possesses us all when we give ourselves to the genii of the woods, Eleanor was following the long lanes of light between the giant spruces—the long lanes of light that lead on and on and on, ahead of you; out over the edge of the world into the realms of dreams and holiday and joy, where there is no Greed, and there is no Lust, and there is no nagging Care, and there is no Motiveless Malice spoiling things. She looked up. The gray green moss hung festooned from branch to branch; and the light sifted down a tempered rain of gold; and all the shiny evergreens shook gypsy castanets of joy to the riffling wind. She listened. The voices behind had faded away; and the air was vibrant of voiceless voices, of pixy tambourines beating the silence. There was a hush, the sibilant hush of waters rushing down from the far snows of the Holy Cross; and a flutter—the flutter of all the little leaves clapping their hands; and a big voiceless voice of solemn undertone—the diapason of the pines harping the age-old melodies to the touch of the wind's invisible hands, melodies of the soul of the sea in the heart of the tree, of strength and power and eternity. As she listened, she could fancy some vast oratorio voicing the themes of humanity and the universe and God.

Then all the little people of the woods came peeping through the greenery surveying her, weighing her, examining her, testing her spirit of good or ill. A little squirrel went scampering up one huge tree trunk and down another, just a pace ahead, scouting for the other pixies of the woods, till with a scurr-r-r and chitter—chipper—ee, he whisked back in his tracks. "She's all right, people," he said. Then a whisky jack flitted from branch to branch of the under brush—always just a step ahead, not saying as much as was his custom, but peeking a deal with head cocked from side to side. "No," said Eleanor, "I have no camp crumbs: you go back." The little red crested cross bill twittered in front of her from spray to spray of the purple fire weed and fern fronds; then, concluded that she was only a part of this out door world, anyway, and went back about his business on the trail behind. Two or three times, there was a vague rustle in the leaves that she couldn't localize—water ouzel in moss covert, or hawk babies in hiding, or—or what? She couldn't descry. Then, suddenly, with a hiss—ss and swear plain as a bird could swear, a little male grouse came sprinting down the trail to stop her, ruff up, tail spread to a fan, wings down, screaming at her in bad words "to stop! to stop! or he'd pick her eyes out!" Eleanor naturally stopped. There was a rustle and a flump; and a mother grouse whirred up with her brood—a dozen of them Eleanor counted, was it a second family? babies just in feather, clumsy and heavy of wing; and the little man ducked to hiding among the dead leaves. Eleanor peered everywhere. There was not the glint of an eye to betray hiding. She laughed and looked back for Matthews and his little pupil. A turn of the lane shut off all view; and again, she had that curious sensation of a vague movement back among the evergreens. She glanced forward. The light was shut off by a huge pile of windfall giant tree on tree, moss grown, with cypress and alder shoots from the great, broad dead trunks, a pile the height of a house. Passage round the ends of the up-rooted trunks led back through the brushwood. Eleanor stepped to the lowest trunk and began climbing over the pile by ascending first one trunk, then back up another. Almost on the top, she paused. It was that same vague rustling movement, too noiseless to be a noise, too evanescent for a sound. She parted the screen of shrubbery growing from the prone trunks and peered forward.

The same lanes of gold-sifted light leading over the edge of the world through the aisled evergreens, but at the end a glint as of emerald, the sheen of water with the metal glister of green enamel, water marbled like onyx or malachite, with the reflection of a snow cross and dun gray shadows—shadows of deer standing motionless at the opening of the aisled trees—come out from the forest at sundown to their drinking place. Lane of light? It had been a lane of delight; and that was what all life might be but for the Satyr shadows lurking along the trail. There were two or three little fawns, just turning from ash coat to ochre gray, nuzzling and wasting the water; and one of the year old deer had turned its head and was sniffing the air looking back, a poetry of motionless motion, all senses poised. Eleanor held her breath. If only the other two would come: yet she had put back her hand to warn them if they should come; and stood so, looking and listening. She remembered afterwards by the nodding of the blue bells she had known that the wind was away from the deer to her. There was a quick step on the lowest log. She stretched back her hand to signal quiet. The quick noiseless step came up the logs like a stair—winged feet. She turned to see what effect this fairy scene would have on the little denizen of the slums.

It wasn't the frontiersman at all. It was the Ranger; and she had let the screen of branches spring back with a snap; and the deer had leaped in mid-air, vanishing phantoms; and her hands had met his half way; and his eyes were shining with a light that blinded her presence of mind. Then, he had drawn her to himself; and afterwards, when she had tried to live it over again, she realized that she had lost count.