Watch a snow flake as it falls! Gentle is too rough a word for the motion. It floats, a crystal cob-web shot with the glint of sun-jewels; tangible but melting to your touch, evanescent and translucent as light; conceived of the wind that bloweth where it listeth and the gossamer clouds of a vague somewhere.

Waveringly, noiselessly, so noiselessly it comes that you do not catch the rustling flutter with your ear, but with a sixth sense of motion. And it transforms, bewitches, beautifies what it touches. I suppose if such an evanescent thing were told that it and it alone had been the age-old, time-immemorial sculptor of the granite rocks; that it and it alone—to paraphrase the words of the scientists—had rolled away the door from the sepulchers of the eternal rocks and turned a planet into a sensate earth pulsing with growth—I suppose if a snow flake were told such heresy, it would die of its own amaze.

This, apropos of nothing in particular, unless you happen to understand from the catagory of your own experiences.

It was her first love-letter; and, because she did not know she was writing a love-letter she wrote out of the fulness of an overflowing heart. Also the hour was the precise hour when consciousness of her presence had gone over Wayland in flood tides of fierce tenderness. That may have been a mere coincidence. I set it down because such coincidences daily touch life.

Here is the letter.

Twelve O'clock.

Are you a 'vision fugitive,' O Ranger Man? Do you know that I have seen you less than ten times and really known you less than a month? Is it a dream? What happened? I did not mean to do it. I did not want it. I did not ask it. Why has it come? You said 'best gifts came unasked; perhaps, they also go unsent!' This one can never go, Dick. I've been weaving it in and out for three whole hours, (no, not thinking, I think of other people,) weaving it in and out of every strand of me. I know now I have been waiting for it a billion years; ages and ages ago when you and I were cave people or desert runners like the 20,000 B. C. skeleton in the British Museum; and in the shuffle of atoms, we got apart. We shall never stray again; for I have locked last night in my heart. Yesterday I could look up at the Mountain, and what I saw was the snow cross, cold and far away. To-night I look up. The Mountain is still there but not the same—what I feel is—you; and you are not far away. I am warm with happiness, delirious when I let myself stop thinking.

I have tried to sleep but cannot. Your old Mountain has been talking again. I can see the Cross here from my window and the lone star above the peak; and I know that you see too. If I touched the telephone, I might speak to you; but I can write more frankly than I'd ever have courage to speak, and I must say it. It is all tumult. I do not understand, but Hope is strumming her strings—I hear them every time the wind comes down from the Ridge. Here is the Watts' 'Happy Warrior,' and Dick—listen—I didn't mean it as a token when I offered to send it up. I meant it as a rallying cry; but now that you take it as a token, I can't say that it isn't; only I really didn't mean to push you over the edge of things as I did. I didn't mean to go over the edge myself. If I had heard Senator Moyese talk, I couldn't have been so childish and ignorant. It was like urging you to jump a precipice and break your neck. I know now what the fight means. It isn't just the Valley. It's the Nation. I hadn't any right to let my (here a word was crossed and blotted) feeling shove you over. Yet if you jump yourself, I'll not pull a gossamer thread to draw back. I haven't any right.

You know how it has always been with me—whisked away to the convent at Quebec when I was four, sent to that New York finishing school to get what Father called 'world-sense knocked into my religion.' Well, they were knocks all right. Then England and Switzerland and my Father's orders to come back, and how lonely and apart he always seems. I don't understand. What did Moyese mean to-night when he spoke of 'bow-and-arrow aristocracy'? Will you believe me that is the first I have ever heard of it? Who is Calamity? Will you tell me if you know? Why are we so apart from all the people of the Valley? What is a 'squaw man'? When I think, I am afraid for having let you become so interwoven. I did not mean to. It is wholly my fault. The thoughts I hardly knew myself must have been weaving up into this. They often do. Father and Mr. Williams leave at daybreak for the Upper Pass. I did not mean to write so much, but our old Mountain has come from under a cloud. Anyway, I had to explain, no, I mean write. Explanations never do explain; but here's the picture of 'The Warrior.'

"E. MacD."