It is in the idle summer season that he and his squaw—for the Pierre adapts, or rather adopts, himself to the native tribes by taking an Indian wife—design the wonderfully bizarre costumes in which the French trapper appears: the beaded toque for festive occasions, the gay moccasins, the buckskin suit fringed with horse-hair and leather in lieu of the Indian scalp-locks, the white caribou capote with horned head-gear to deceive game on the hunter's approach, the powder-case made of a buffalo-horn, the bullet bag of a young otter-skin, the musk-rat or musquash cap, and great gantlets coming to the elbow.
None of these things does the English trader do. If he falls a victim to the temptations awaiting the man from the wilderness in the dram-shop of the trading-post, he takes good care not to spend his all on the spree. He does not affect the hunter's decoy dress, for the simple reason that he prefers to let the Indians do the hunting of the difficult game, while he attends to the trapping that is gain rather than game. For clothes, he is satisfied with cheap material from the shops. And if, like Pierre, the Englishman marries an Indian wife, he either promptly deserts her when he leaves the fur country for the trading-post or sends her to a convent to be educated up to his own level. With Pierre the marriage means that he has cast off the last vestige of civilization and henceforth identifies himself with the life of the savage.
After the British conquest of Canada and the American Declaration of Independence came a change in the status of the French trapper. Before, he had been lord of the wilderness without a rival. Now, powerful English companies poured their agents into his hunting-grounds. Before, he had been a partner in the fur trade. Now, he must either be pushed out or enlist as servant to the newcomer. He who had once come to Montreal and St. Louis with a fortune of peltries on his rafts and canoes, now signed with the great English companies for a paltry one, two, and three hundred dollars a year.
It was but natural in the new state of things that the French trapper, with all his knowledge of forest and stream, should become coureur des bois and voyageur, while the Englishman remained the barterer. In the Mississippi basin the French trappers mainly enlisted with four companies: the Mackinaw Company, radiating from Michilimackinac to the Mississippi; the American Company, up the Missouri; the Missouri Company, officered by St. Louis merchants, westward to the Rockies; and the South-West Company, which was John Jacob Astor's amalgamation of the American and Mackinaw. In Canada the French sided with the Nor' Westers and X. Y.'s, who had sprung up in opposition to the great English Hudson's Bay Company.
Though he had become a burden-carrier for his quondam enemies, the French trapper still saw life through the glamour of la gloire and noblesse, still lived hard and died game, still feasted to-day and starved to-morrow, gambled the clothes off his back and laughed at hardship; courted danger and trolled off one of his chansons brought over to America by ancestors of Normandy, uttered an oath in one breath at the whirlpool ahead and in the next crossed himself reverently with a prayer to Sainte Anne, the voyageurs' saint, just before his canoe took the plunge.
Your Spanish grandee of the Missouri Company, like Manuel Lisa of St. Louis, might sit in a counting-house or fur post adding up rows of figures, and your Scotch merchant chaffer with Indians over the value of a beaver-skin. As for Pierre, give him a canoe sliding past wooded banks with a throb of the keel to the current and the whistle of wild-fowl overhead; clear sky above with a feathering of wind clouds, clear sky below with a feathering of wind clouds, and the canoe between like a bird at poise. Sometimes a fair wind livens the pace; for the voyageurs hoist a blanket sail, and the canoe skims before the breeze like a seagull.
Where the stream gathers force and whirls forward in sharp eddies and racing leaps each voyageur knows what to expect. No man asks questions. The bowman stands up with his eyes to the fore and steel-shod pole ready. Every eye is on that pole. Presently comes a roar, and the green banks begin to race. The canoe no longer glides. It vaults—springs—bounds, with a shiver of live waters under the keel and a buoyant rise to her prow that mounts the crest of each wave fast as wave pursues wave. A fanged rock thrusts up in mid-stream. One deft push of the pole. Each paddler takes the cue; and the canoe shoots past the danger straight as an arrow, righting herself to a new course by another lightning sweep of the pole and paddles.
But the waters gather as if to throw themselves forward. The roar becomes a crash. As if moved by one mind the paddlers brace back. The lightened bow lifts. A white dash of spray. She mounts as she plunges; and the voyageurs are whirling down-stream below a small waterfall. Not a word is spoken to indicate that it is anything unusual to sauter les rapides, as the voyageurs say. The men are soaked. Now, perhaps, some one laughs; for Jean, or Ba'tiste, or the dandy of the crew, got his moccasins wet when the canoe took water. They all settle forward. One paddler pauses to bail out water with his hat.