The aim of the Archæological Society is year by year to restore portions till the whole Rito is restored; but at the present rate of financial aid, complete restoration can hardly take place inside a century. When you consider that the Rito is only one of many prehistoric areas of New Mexico, of Utah, of Colorado, awaiting restoration, you are constrained to wish that some philanthropist would place a million or two at the disposal of the Archæological Society. If this were done, no place on earth could rival the Rito; for the funds would make possible not only the restoration of the thousands of mounds buried under tons of débris, but it would make the Cañon accessible to the general public by easier, nearer roads. The inaccessibility of the Rito may be in harmony with its ancient character; but that same inaccessibility drives thousands of tourists to Egypt instead of the Jemez Forests.
There are other things to do in the Cañon besides explore the City of the Dead. Wander down the bed of the stream. You are passing through parks of stately yellow pine, and flowers which no botanist has yet classified. There is the globe cactus high up on the black basalt rocks, blood-red and fiery as if dyed in the very essence of the sun. There is the mountain pink, compared to which our garden and greenhouse beauties are pale as white woman compared to a Hopi. There is the short-stemmed English field daisy, white above, rosy red below, of which Tennyson sings in "Maud." Presently, you notice the stream banks crushing together, the waters tumbling, the pumice changing to granite and basalt; and you are looking over a fall sheer as a plummet, fine as mist.
Follow farther down! The cañon is no longer a valley. It is a corridor between rocks so close they show only a slit of sky overhead; and to follow the stream bed, you must wade. Beware how you do that on a warm day when a thaw of snow on the peaks might cause a sudden freshet; for if the waters rose here, there would be no escape! The day we went down a thaw was not the danger. It was cold; the clouds were looming rain, and there was a high wind. We crept along the rock wall. Narrower and darker grew the passageway. The wind came funneling up with a mist of spray from below; and the mossed rocks on which we waded were slippery as only wet moss can be. We looked over! Down—down—down—tumbled the waters of the Rito, to one black basin in a waterfall, then over a ledge to another in spray, then down—down—down to the Rio Grande, many feet below. You come back from the brink with a little shiver, but it was a shiver of sheer delight. No wonder dear old Bandelier, the first of the great archæologists to study this region, opens his quaint myth with the simple words—"The Rito is a beautiful place."
CHAPTER V
THE ENCHANTED MESA OF ACOMA
They call it "the Enchanted Mesa," this island of ocher rock set in a sea of light, higher than Niagara, beveled and faced straight up and down as if smoothed by some giant trowel. One great explorer has said that its flat top is covered by ruins; and another great scientist has said that it isn't. Why quarrel whether or not this is the Enchanted Mesa? The whole region is an Enchanted Mesa, a Painted Desert, a Dream Land where mingle past and present, romance and fact, chivalry and deviltry, the stately grandeur of the old Spanish don and the smart business tricks of modern Yankeedom.
Shut your mind to the childish quarrel whether there is a heap of old pottery shards on top of that mesa, or whether the man who said there was carried it up with him; whether the Hopi hurled the Spaniards off that particular cliff, or off another! Shut your mind to the childish, present-day bickering, and the past comes trooping before you in painted pageantry more gorgeous and stirring than fiction can create. First march the enranked old Spanish dons encased in armor-plate from visor to leg greaves, in this hot land where the very touch of metal is a burn. Back at Santa Fe, in Governor Prince's fine collection, you can see one of the old breastplates dug up from these Hopi mesas with the bullet hole square above the heart. Of course, your old Spanish dons are followed by cavalry on the finest of mounts, and near the leader rides the priest. Sword and cross rode grandly in together; and up to 1700, sword and cross went down ignominiously before the fierce onslaught of the enraged Hopi. I confess it does not make much difference to me whether the Spaniards were hurled to death from this mesa—called Enchanted—or that other ahead there, with the village on the tip-top of the cliff like an old castle, or eagle's nest. The point is—pagan hurled Christian down; and for two centuries the cross went down with the sword before savage onslaught. Martyr as well as soldier blood dyed these ocher-walled cliffs deeper red than their crimson sands.
Then out of the romantic past comes another era. The Navajo warriors have obtained horses from the Spaniards; and henceforth, the Navajo is a winged foe to the Hopi people across Arizona and New Mexico. You can imagine him with his silver trappings and harnessings and belts and necklaces and turquoise-set buttons down trouser leg, scouring below these mesas to raid the flocks and steal the wives of the Hopi; and the Hopi wives take revenge by conquering their conqueror, bringing the arts and crafts of the Hopi people—silver work, weaving, basketry—into the Navajo tribe. I confess it does not make much difference to me whether the raid took place a minute before midday, or a second after nightfall. I can't see the point to this breaking of historical heads over trifles. The point is that after the incoming of Spanish horses and Spanish firearms, the Navajos became a terror to the Hopi, who took refuge on the uppermost tip-top of the highest mesas they could find. There you can see their cities and towns to this day.