Here we come upon debatable ground. At first sight it would seem that the milliner, being dependent upon her customers for her very existence, it must follow that whatever her private opinion may be with regard to their appearance and taste, she can have but one burning desire: to please her patronesses. There is nevertheless another side to the question.
What Woman of intelligence but does not realise that a Mode may make or mar her? How much may hang on the droop of a feather; the tilt of a hat-brim; the glow of a rose in cunning juxtaposition with the soft carmine of a blushing cheek? Blue eyes may flash into sudden significance under a knot of azure ribbon, that had before languished their tenderest in vain. Saucy innocence may triumph beneath a shepherdess wreath; or tired charms kindle into new brilliancy stimulated by the consciousness of the perfect inspiration. In fine, all that life holds best is at the mercy of the mantua maker where the Lady of Fashion is concerned. Let but a clever business woman grasp this great and awful truth; and she who combines the brain that can devise, the taste that never fails, the acumen that knows no hesitation, the finger that is at once light and firm, unerring and ethereal, becomes to her employers a treasure beyond the mines of Golconda!
Such a treasure did Miss Pamela Pounce, with whom these pages are concerned, prove herself to the noted Madame Mirabel of Bond Street. And such an influence, far-reaching and subtle, did she exercise on the lives of the Elégantes who consulted her, with the eager submission and reverence of the believing Greek for his Oracles, though with far other and comfortably practical results!
Miss Pamela Pounce, Goddess of Modes, was ipso facto Goddess of the Machine of Life, deciding, with a lucky toss of ribbons or hitherto undreamt of combination of fallals, the fate of her fair customers, and incidentally that of their Beaux, their lovers and their husbands; my Lady Kilcroney and her lazy, jolly life-loving Lord; dark-browed Susan Verney, who would fain have bent the whole world to her sway as she did her weary Baron; Lady Anne, her sister, still fondly, foolishly in love with her stalwart, countrified Squire, Philip Day; their young sister, the last of the fair Vereker Ladies and the naughtiest, with her tangled love-stories; Mr. Stafford, the once famous Beau, proud of the startling beauty of his excellent, dull, childish wife, and anxious that she should flaunt it à la mode with the best of them; Sir Jasper Standish, the sporting Baronet, who, bereaved of his exquisite, clinging Julia, found himself entangled beyond belief with Miss Pamela Pounce’s ribbons; the noted young actress, Miss Falcon, known as “Fair Fatality,” whose brief life drama was more tragic than any she had enacted for the benefit of the public; the plain Miss Vibart, who found beauty and love and happiness all in a Pounce bandbox; Mistress Molly Lafone, own sister—who would believe it?—to the pearl of ingenuous womanhood, Prue Stafford, Molly Lafone that minx, whom the members of my Lady Kilcroney’s coterie were so unanimously leagued to suppress and exclude, and who, in spite of their efforts contrived to insinuate herself disastrously into all their combinations (was it not under a wreath twisted by Pamela’s long clever fingers that this elegant little adventuress came to her most deserved catastrophe?)—there was not one of them but came under her wand!
But at the same time the arbiter of the fate of others, in the shape of a very human young woman, guided the shuttle of her own destiny, and wove a remarkably pretty design for herself.
Milliners, unlike Oracles and Sybils, have each their personal human span with its joys and fears, pleasures, pains and triumphs. Pamela’s romance ran like a cherry-coloured thread through the warp and woof of those other existences, so far above her, in which her profession had involved her. To show the whole pattern, light and dark, sparkling and deep-hued, flowered, dotted, arabesqued, of this brocade of earthly life, the poor Modiste must assume as important a place as that of her clientele.
CHAPTER I
How my Lady Kilcroney entered into Royal
Service under the Shadow of the Italian Hat
trimmed by Miss Pamela Pounce
While Miss Pamela Pounce was serving her third year as apprentice to the great art of Hat Confectionery, under the ægis of no less a personage than the world-famous Madame Eglantine of Paris—once “the little French Milliner” of Bath—her aunt and benefactress, who had placed her in these favourable circumstances, had begun to taste the proudest triumph of her life.
Miss Lydia Pounce was about to become own woman to a Court lady! My Lady Kilcroney—to whom she had so faithfully and ruthlessly devoted herself—from the days when, as the Widow Bellairs, she first scintillated in the world of fashion, to her present position of Viscountess—was chosen by Her Majesty, Queen Charlotte, to fill the post of Lady-in-Waiting to her own Sacred Person.