Selina, who had entered, stood and sat down like an automaton with every reason to be dissatisfied with its surroundings, here gave her patroness a steely look of enmity, and then cast down her eyes so that their long eyelashes cast a shadow on her white cheek.
Pamela appraised the small set face and Kitty proceeded to expound; “The fact is, Miss Pounce, I am here with Lady Selina for a wedding order.”
“Indeed, my Lady.”
“Yes, indeed,” cried Kitty, warming to her subject, “the wedding hat, no less, child, and the going away! Oh! And a head for the dinner party I mean to give in honour of the engagement. Princess Augusta has promised to attend. And the wedding is to take place from my house in Hertford Street, Pamela, the very moment May is over. What with my Lady Verney having a feeling about the mourning, and my Lady Anne Day so set about with measles in her nursery, there isn’t anyone as near to this dear girl as myself, if it’s reckoned by old friendship.”
Here Kitty paused for breath and after duly waiting for Lady Selina to express some acknowledgments of these handsome sentiments, Pamela, in the young person’s persistent mutism, was fain to remark that there was no one like her Ladyship for kindness, that she knew. And though this was but a deferential murmur, there was conviction in it. Pamela had every reason for this testimony.
Kitty glanced askance at the bride’s most unbride-like countenance; she faintly shrugged her shoulders. None of the Verekers had good tempers and she was not going even to notice Selina’s moods.
“A wedding hat.”
Pamela pondered upon the bride, while her quick brains worked.
(“Dear to be sure, the poor young lady! One would think ’twas her funeral things they were getting together. Who are they going to marry her to? And why is my Lady Kilcroney managing it all, and that mortal tickled?) I wouldn’t recommend white satin for my Lady Selina,” she said out loud, “though I know it’s the usual thing, my Lady. And if I might venture, it wouldn’t do to be putting dead white next her face. No, my Lady Kilcroney, no, my Lady Selina, not if you was to rouge ever so and that would be a thousand pities; my Lady’s skin is a treat to look at. And it’s her cachet to be pale with those dark eyes—excuse me, my Lady, for dropping into French, it’s a way I got into in Paris. Now I’d like lace.” The milliner spoke slowly as if she were tasting one by one, the condiments of an exquisite dish. “A fine brim of real lace, my lady, with a tulle lining, three layers of tulle, and the middle one pale pink. Oh, pale, pale, pale.” Pamela twiddled her fingers in the air, mitigating the colour till it faded into nothingness. “The tint they’re calling in Paris, cuisse de nymphe émue. Excuse me, my Lady, I won’t be so bold as to translate it. Yes, your Ladyship, the French have droll minds! But your Ladyship has seized the idea; not pink, but just a warmth, a lightening of the white, ’twill be exquisite. A twist of silver ribbon to hold it together—Miss Popple, where’s that silver ribbon that came from Lyons? I have a model here,” went on Pamela, stooping to pull out one of the deep drawers of the cupboard which ran the length of the room, and in which the most special treasures in the millinery line were hidden away from the ordinary public, only to be brought out for the favoured. “I have a model here which is the very latest, out of Paris. It’ll never be seen at all, so to speak, till next month, and that on a Queen’s head.”
Queen Charlotte’s Lady-in-waiting sprang up and tripped across the carpet to stand by the milliner’s side.