The New North

by Agnes Deans Cameron

Next morning we are all keyed-up for the rapids, and about six miles down we encounter the Brulé, the first one, and take it square in mid-channel. We ship a little water, but pass through it all too soon, for the compelling grandeur of the Brulé grips one. The river here is held between vertical walls of the reddest of red sandstone against which the lush greenery makes a striking contrast. Twenty miles below is the Boiler Rapid. It got its name not from its churning water but because the boiler of the steamer Wrigley was lost here and still remains at the bottom of the basin. The walls of this rapid are as clear-cut as if wrought into smoothness by mallet and chisel. The tar-soaked sands appear off and on all the way to McMurray. Next comes the Long Rapid (Kawkinwalk Abowstick), which we run close to its right bank.

From the distance sounds the ominous roar of the Big Cascade. At quarter past four we reach the head of the swirling fall. The underlying cause of the Big Cascade is a limestone ledge which cuts the channel diagonally and makes ugly-looking water. We plan to run the rapid one boat at a time. The crews are doubled. Our steersman is alert, expectant, and as agile as a cat, his black hair switching in the wind. Sitting in the centre of the scow, as we do, the sensation is very different to that which one experiences in running rapids in a canoe. Then it is all swiftness and dexterity, for your craft is light, and, in expert hands, easily dirigible with one clever turn of the wrist. With a ten-ton scow the conditions change and you feel correspondingly more helpless.

The great rapid stretches from shore to shore and the drop is sheer. With much excitement, the bowsman points out the channel that seems to him the safe one. No one speaks, and the big awkward craft is brought up for the jump. It is an elephant drawing his feet together to take a water-fence. For all we own in the world we wouldn't be anywhere but just where we sit. If it is going to be our last minute, well, Kismet! let it come. At least it will not be a tame way of going out. For the life of me I cannot forbear a cry of exultation. Then there is the feeling below one's feet which you experienced when you were a kiddie lying flat on your stomach coasting down a side-hill and your little red sled struck a stone. We, too, have struck something, but do not stop to ask what the obstruction is.

The Scow Breaks Her Back and Fills

At the foot of the rapids, we hurry the boatmen ashore. I want to photograph the next scow as she shoots the fall. We reach a good vantage-point and, getting the coming craft in the finder, I have just time to notice that her passengers are Inspector Pelletier and Dr. Sussex, when a sharp crack rings out like the shot of a pistol. Just as we touch the button, something happens. We wanted a snap-shot, and it was a snap-shot we got. The scow has broken her back and begins to fill.

The blue-and-white jerkin of Isadore Tremblé, the pilot, dances in the sun as he gesticulates and directs his two passengers to crawl to the top of the boat's freight. In less time than it takes to write it, the men from our scow have launched the police canoes and make their way through the boiling water to take off Pelletier and the Doctor. The Inspector says, "Step quick, Doctor, there's no time to waste." The native politeness of Sussex doesn't fail him, even in this crisis, "After you, Inspector." Then Pelletier says, sharply, "Jump, I tell you, jump; there's no time for—Gaston-and-Alphonse business here."

As always, it is impossible to tell who directs affairs, but quickly things happen. Lines are run from the wreck to the shore, other scows discharge their cargo on the bank and push out to take the water-logged goods from the wreck. The lightened craft is pulled ashore. There has been no loss of life, but it is a sorry-looking cargo that piles up on the bank,—five thousand dollars' worth of goods destroyed in three minutes!

A sad procession, we make the boats, and drop downstream toward McMurray. The night is beautiful. The sun sank in a crimson splendour an hour ago. A low-hung moon comes out and is visible and is hidden alternately as we pass on the shore-line high hill and intervening swale. With a blanket thrown over me, as the others sleep, I lie along the gunwale, and the beauty of it sinks into my very soul. Just before we enter McMurray the wraith of a tall oil-derrick tells of the enterprise of some pioneer in the wilderness.