Roman Catholic Church at Fort Norman
The Ramparts of the Mackenzie
Seldom have we seen a more beautiful vista than the up-climbing path leading from the shore to the Roman chapel at the head of the hill. It is bordered by flaming fireweed and lined with the eager faces of children dressed in their Sunday best, ready for morning mass and awaiting the blessing of their Bishop. Wherever the willow-herb flourishes there a Guadet is serving The Company. One was in charge at lonely Wrigley, and we find his brother here.
Leaving Norman before church-time, we travel on, the glory of the peerless day reflected in the face of every one on board. We float between two spurs of the Rockies, and about eight in the evening pass Roche Carcajou, looking in vain for the wolverine the name calls for. The Indians would seem to be strangely inconsistent in this connection. If there is one animal they fear it is the carcajou, and with him they have an old, old pact: the Indian on his side promises never to shoot a wolverine, and that cunning thief agrees to leave unmolested the cache of the Red man. While this bargain still holds, since the day when ammunition first came into the country no Indian has passed this rocky replica of the carcajou without firing a shot at the face of the cliff.
It is an hour before midnight when we reach one of the two greatest spectaculars of our whole six months' journeying,—the Ramparts. The great river which has been running at a width of several miles, here narrows to five hundred yards, and for a distance of five or six miles forces its flow between perpendicular walls of limestone three hundred feet high. Between the cliffs, scarped by Nature into turrets, towers, and castellated summits, the great Mackenzie, "turned on edge," flows, maintaining a steady rate of four or five miles an hour. The depth of the water equals the visible height of the palisaded walls. In spring, the ice jams the stupendous current. The dammed-up water once lifted a skiff bodily, leaving it, when the flood subsided, a derelict on the cliffs above.
As we pass in silence we can but look and feel. One day a Canadian artist will travel north and paint the Ramparts, some poet, gifted with the inevitable word, here write the Canadian Epic. Awed and uplifted, our one wish is to be alone; the vision that is ours for one hour of this Arctic night repays the whole summer's travel. The setting of the picture is that ineffable light, clear yet mellow, which without dawn and without twilight rises from flowing river to starless heavens, and envelopes the earth as with a garment,—the light that never was on sea or land. We could not have chosen a more impressive hour in which to pass the portal into the Arctic World.