Charlotte’s ‘lines’ were many in number.

She had a marked talent for drawing, and could take likenesses of her friends; good as regarded the salient features, though apt to grow into more of caricatures than the young artist intended. Musical gifts also were hers, including an almost painfully sensitive ear. Though her voice was never really very good, she sang much; and while well able to take a second at sight, she was in after years equally ready to undertake any other part in a glee, inclusive of the bass, which often fell to her share when a man’s voice happened to be lacking.

A gift for teaching showed itself early; and as a child she would try to impress geographical facts upon her younger brothers and sisters by an original system of her own. In the Park Crescent Gardens, near Portland Place,—their playground; described by one friend in those days as a “jungle,” because of its unkempt condition,—she would name one bed England, another France, another Germany, and so on, and would thus fix in the children’s minds their various positions, though the shapes and sizes of the beds were by no means always what they ought to have been. That the mode of instruction was effective is evident from the fact that her brother, Mr. St. George Tucker, can recall the lessons still, after the lapse of fifty years, and can say, ‘By that means I learnt that England was in the north-west corner of Europe.’

Another direction in which she excelled was that of dancing. Even in walking she possessed a peculiarly springy step, remarked by all who knew her; and this in dancing was a great advantage. She was at home alike in the dignified minuet and in the active gavotte, and she would perform the pas de basque with much spirit. Indeed dancing was an exercise in which she found immense enjoyment through half a century of life.

At home Charlotte was a leader in the games, herself flowing over with fun and frolic. Her fertile imagination left her never at a loss for schemes of amusement. Naturally eager, impulsive, vehement, she had from beginning to end an extraordinary amount of energy, and in childhood her vigour must have been almost untirable.

One can imagine how the house echoed with the gay voices and laughter of the young people, as they pursued their various games, led by the indefatigable Charlotte. Mr. Tucker loved the sound of those merry voices; and when he could join them he was probably the merriest of the whole party. At one period, heavy and long-continued work in ‘clearing up the finances’ of the East India Company kept him much apart from the family circle; and the delight was great when he could leave his big dry books, and be as a boy among the children again.

Bella, the elder girl, was pretty and of gracious manners, with dark eyes, and with a capacity for dressing herself well upon the very moderate allowance which her father was able to bestow. Fanny, the next sister, though not at all handsome, had also soft dark eyes, and a peculiarly sweet disposition; and she too dressed nicely. It was commonly said amongst themselves that Fanny was ‘the gentle sister,’ and that Charlotte was ‘the clever heroic sister.’ But Charlotte was not gifted with the art of dressing well.

In those early days, and for many a year afterwards, it would not appear that gentleness or sweetness were characteristics belonging to Charlotte. They were of far later growth, developing only under long pressure of loss and trial. In her childhood and girlhood, though doubtless she could be both winning and tender to the few whom she intensely loved, yet it was impossible to describe her generally by any such adjectives. She was chiefly remarkable for her spring and energy, her originality and cleverness, her wild spirits, and her lofty determination. With all her liveliness, however, she was in no sense a madcap, being thoroughly a lady.

In appearance Charlotte was never good-looking; and in girlhood she could not have been pretty; though there was always an indescribable charm in the vivid life and the ever-varying expression of her face.

One friend remembers hearing her tell a story of her young days, bearing upon this question of personal appearance. With a mirror and a hand-glass she examined her own face, the profile as well as the full face, and evidently she was not satisfied with the result. A wise resolution followed. Since she ‘could never be pretty,’ she determined that she ‘would try to be good, and to do all the good in the world that she could.’ It was a resolve well carried out.