The fire’s devouring might he then applied,

And, groaning, on his lov’d companion call’d.[[67]]

[66]. The number nine is curiously associated with the canine species. The herdsmen’s pack on the Shield of Achilles consists of nine; nine were the dogs of Patroclus; and we learn from Mr. Richardson (Dogs: their Origin and Varieties, p. 37), that Fingal kept nine great dogs, and nine smaller game-starting dogs.

[67]. Iliad, xxiii. 164-78.

These sanguinary rites have been thought to afford proof that canine companionship was necessary to the happiness of a Greek hero in the other world. For, amongst rude peoples, from the Scythians of Herodotus[[68]] to the Indians of Patagonia, such sacrifices have been a common mode of testifying respect to the dead. And it may readily be admitted that their originally inspiring idea was that of continued association after death with the objects most valued in life. But such an idea appears to have been very remotely, if at all, present to the mind of our poet. The Ghost of Patroclus, at any rate, though sufficiently communicative, expresses no desire for canine, equine, bovine, or ovine society, although specimens of all four species were immolated in its honour. The purpose of Achilles in instituting the ghastly solemnity was, as he himself expressed it,

[68]. Book iv. 71, 72.

That with provision meet the dead may pass

Down to the realms of night.[[69]]

[69]. Geddes, Problem, &c., p. 227.

But the motives that crowded upon his fierce soul were probably in truth as multitudinous as the waves of passion which rolled over it. He desired to appease the parted spirit of his friend with a sacrifice matching his own pride and the extent of his bereavement. Still more, he sought to glut his vengeance, and allay, if possible, the intolerable pangs of his grief. He perhaps dimly imaged to himself a pompous funeral throng accompanying the beloved soul even to the gates of Hades, provision for the way being supplied by the flesh of sheep and oxen, an escort by horses and dogs, while an air of gloomy triumph was imparted to the shadowy procession by the hostile presence of outraged and indignant human shades. A similar ceremony was put in practice, by comparison recently, in Lithuania. When the still pagan Grand Duke Gedimin died in 1341, his body was laid on a pyre and burned with two hounds, two falcons, his horse saddled and still living, and a favourite servant.[[70]] But here the disembodied company was altogether friendly, and may have been thought of as willingly paying a last tribute of homage to their lord.