[158]. Studies in Homer, vol. i. p. 183.
In prehistoric times, the lion ranged all over Europe, from the Severn to the Hellespont; for the Felis spelæus of Britain[[159]] was specifically identical with the grateful clients of Androclus and Sir Iwain, no less than with the more savage than sagacious beasts now haunting the Upper Nile valley, and the marshes of Guzerat and Mesopotamia.
[159]. Boyd Dawkins and Sanford, Pleistocene Mammalia, p. 171.
Already, however, at the early epoch of the pile-built villages by the lake of Constance, he had disappeared from Western Europe; yet he lingered long in Greece. Of his presence in the Peloponnesus only legendary traces remain, although he figures largely in Mycenæan art; but in Thrace he can lay claim to an historically attested existence. Herodotus[[160]] recounts with wonder how the baggage-camels of Xerxes’ army were attacked by lions on the march from Acanthus to Therma; and he defines the region haunted by them as bounded towards the east by the River Nestus, on the west by the Achelous. Some Chalcidicean coins, too, are stamped with the favourite oriental device of a lion killing an ox; and Xenophon possibly—for his expressions are dubious—includes the lion among the wild fauna of Thrace. The statements, on the other hand, of Polybius and Dio Chrysostom leave no doubt that he had finally retreated from our continent before the beginning of the Christian era.[[161]]
[160]. Lib. vii. caps. 125, 126.
[161]. Sir G. C. Lewis, Notes and Queries, vol. viii. ser. ii. p. 242.
A Thessalian Homer might, then, quite conceivably, have beheld an occasional predatory lion descending the arbutus-clad slopes of Pelion or Olympus; yet the continual allusions to leonine manners and customs pervading the Iliad show an habitual acquaintance with the animal which is certainly somewhat surprising. It corresponds, nevertheless, quite closely with the perpetual recurrence of his form in the plastic representations of Mycenæ.
The comparatively few Odyssean references to this animal can scarcely be said to bear the stamp of visual directness unmistakably belonging to those dispersed broadcast through the earlier epic. Yet it would probably be a mistake to suppose them derived at second-hand. Without, then, denying that the author of the Odyssey had actually ‘met the ravin lion when he roared,’ we may express some wonder that he, like his predecessor of the Iliad, left unrecorded the auditory part of the resulting brain-impression. For the voice of the lion is assuredly the most imposing sound of which animated nature seems capable. Casual allusions to it in the Hymn to Aphrodite and in the (nominally) Hesiodic ‘Shield of Hercules,’ are, nevertheless, perhaps the earliest extant in Greek literature.
The bear figures in the Iliad and Odyssey solely as a constellation, except that a couple of verses interpolated into the latter accord him a place among the embossed decorations of the belt of Hercules. The living animal, however, is still reported to lurk in the ‘clov’n ravines’ of ‘many-fountain’d Ida,’ and, according to a local tradition, was only banished from the Thessalian Olympus through the agency of Saint Dionysius.[[162]] The panther or leopard, on the contrary, although contemporaneously with the cave-lion an inmate of Britain, disappeared from Europe at a dim and remote epoch, while plentifully met with in Caria and Pamphylia during Cicero’s governorship of Cilicia. Even in the present century, indeed, leopardskins formed part of the recognised tribute of the Pasha of the Dardanelles. The life-like scene, then, in which the animal emerges to view in the Iliad, bears a decidedly Asiatic character. Mr. Conington’s version of the lines runs as follows:
As panther springs from a deep thicket’s shade