Why should Mr. Abraham Hayward have felt it his duty (he put it that way) to tell Mr. Frederick Locker that the "London Lyrics" were "overrated"? "I have suspected this," comments the poet, whose least noticeable characteristic was vanity; "but I was none the less sorry to hear him say so." Landor's reply to a lady who accused him of speaking of her with unkindness, "Madame, I have wasted my life in defending you!" was pardonable as a repartee. It was the exasperated utterance of self-defence; and there is a distinction to be drawn between the word which is flung without provocation, and the word which is the speaker's last resource. When "Bobus" Smith told Talleyrand that his mother had been a beautiful woman, and Talleyrand replied, "C'était donc Monsieur votre père qui n'était pas bien," we hold the witticism to have been cruel because unjustifiable. A man should be privileged to say his mother was beautiful, without inviting such a very obvious sarcasm. But when Madame de Staël pestered Talleyrand to say what he would do if he saw her and Madame Récamier drowning, the immortal answer, "Madame de Staël sait tant de choses, que sans doute elle peut nager," seems as kind as the circumstances warranted. "Corinne's" vanity was of the hungry type, which, crying perpetually for bread, was often fed with stones.
It has been well said that the difference between a man's habitual rudeness and habitual politeness is probably as great a difference as he will ever be able to make in the sum of human happiness; and the arithmetic of life consists in adding to, or subtracting from, the pleasurable moments of mortality. Neither is it worth while to draw fine distinctions between pleasure and happiness. If we are indifferent to the pleasures of our fellow creatures, it will not take us long to be indifferent to their happiness. We do not grow generous by ceasing to be considerate.
As a matter of fact, the perpetual surrender which politeness dictates cuts down to a reasonable figure the sum total of our selfishness. To listen when we are bored, to talk when we are listless, to stand when we are tired, to praise when we are indifferent, to accept the companionship of a stupid acquaintance when we might, at the expense of politeness, escape to a clever friend, to endure with smiling composure the near presence of people who are distasteful to us,—these things, and many like them, brace the sinews of our souls. They set a fine and delicate standard for common intercourse. They discipline us for the good of the community.
We cannot ring the bells backward, blot out the Civil War, and exchange the speed of modern life for the slumberous dignity of the Golden Age,—an age whose gilding brightens as we leave it shimmering in the distance. But even under conditions which have the disadvantage of existing, the American is not without gentleness of speech and spirit. He is not always in a hurry. He is not always elbowing his way, or quivering with ill-bred impatience. Turn to him for help in a crowd, and feel the bright sureness of his response. Watch him under ordinary conditions, and observe his large measure of forbearance with the social deficiencies of his neighbour. Like Steele, he deems it humanity to laugh at an indifferent jest, and he has thereby earned for himself the reputation of being readily diverted. If he lacks the urbanities which embellish conversation, he is correspondingly free from the brutalities which degrade it. If his instinct does not prompt him to say something agreeable, it saves him from being wantonly unkind. Plain truths may be salutary; but unworthy truths are those which are destitute of any spiritual quality, which are not noble in themselves, and which are not nobly spoken; which may be trusted to offend, and which have never been known to illuminate. It is not for such asperities that we have perfected through the ages the priceless gift of language, that we seek to meet one another in the pleasant comradeship of life.
[The Mission of Humour]
"Laughter is my object: 'tis a property
In man, essential to his reason."
THOMAS RANDOLPH, The Muses' Looking-Glass.
American humour is the pride of American hearts. It is held to be our splendid national characteristic, which we flaunt in the faces of other nations, conceiving them to have been less favoured by Providence. Just as the most effective way to disparage an author or an acquaintance—and we have often occasion to disparage both—is to say that he lacks a sense of humour, so the most effective criticism we can pass upon a nation is to deny it this valuable quality. American critics have written the most charming things about the keenness of American speech, the breadth and insight of American drollery, the electric current in American veins; and we, reading these pleasant felicitations, are wont to thank God with greater fervour than the occasion demands that we are more merry and wise than our neighbours. Mr. Brander Matthews, for example, has told us that there are newspaper writers in New York who have cultivated a wit, "not unlike Voltaire's." He mistrusts this wit because he finds it "corroding and disintegrating"; but he makes the comparison with that casual assurance which is a feature of American criticism.
Indeed, our delight in our own humour has tempted us to overrate both its literary value and its corrective qualities. We are never so apt to lose our sense of proportion as when we consider those beloved writers whom we hold to be humourists because they have made us laugh. It may be conceded that, as a people, we have an abiding and somewhat disquieting sense of fun. We are nimble of speech, we are more prone to levity than to seriousness, we are able to recognize a vital truth when it is presented to us under the familiar aspect of a jest, and we habitually allow ourselves certain forms of exaggeration, accepting, perhaps unconsciously, Hazlitt's verdict: "Lying is a species of wit, and shows spirit and invention." It is true also that no adequate provision is made in this country for the defective but valuable class without humour, which in England is exceedingly well cared for. American letters, American journalism, and American speech are so coloured by pleasantries, so accentuated by ridicule, that the silent and stodgy men, who are apt to represent a nation's real strength, hardly know where to turn for a little saving dulness. A deep vein of irony runs through every grade of society, making it possible for us to laugh at our own bitter discomfiture, and to scoff with startling distinctness at the evils which we passively permit. Just as the French monarchy under Louis the Fourteenth was wittily defined as despotism tempered by epigram, so the United States have been described as a free republic fettered by jokes, and the taunt conveys a half-truth which it is worth our while to consider.
Now there are many who affirm that the humourist's point of view is, on the whole, the fairest from which the world can be judged. It is equally remote from the misleading side-lights of the pessimist and from the wilful blindness of the optimist. It sees things with uncompromising clearness, but it judges of them with tolerance and good temper. Moreover, a sense of the ridiculous is a sound preservative of social virtues. It places a proper emphasis on the judgments of our associates, it saves us from pitfalls of vanity and self-assurance, it lays the basis of that propriety and decorum of conduct upon which is founded the charm of intercourse among equals. And what it does for us individually, it does for us collectively. Our national apprehension of a jest fosters whatever grace of modesty we have to show. We dare not inflate ourselves as superbly as we should like to do, because our genial countrymen stand ever ready to prick us into sudden collapse. "It is the laugh we enjoy at our own expense which betrays us to the rest of the world."
Perhaps we laugh too readily. Perhaps we are sometimes amused when we ought to be angry. Perhaps we jest when it is our plain duty to reform. Here lies the danger of our national light-mindedness,—for it is seldom light-heartedness; we are no whit more light-hearted than our neighbours. A carping English critic has declared that American humour consists in speaking of hideous things with levity; and while so harsh a charge is necessarily unjust, it makes clear one abiding difference between the nations. An Englishman never laughs—except officially in "Punch"—over any form of political degradation. He is not in the least amused by jobbery, by bad service, by broken pledges. The seamy side of civilized life is not to him a subject for sympathetic mirth. He can pity the stupidity which does not perceive that it is cheated and betrayed; but penetration allied to indifference awakens his wondering contempt. "If you think it amusing to be imposed on," an Englishwoman once said to me, "you need never be at a loss for a joke."