Fresh from his murder, safe and sitting there,

With the little children round him in a row

Of admiration.

—Fra Lippo Lippi.

Not long ago I saw these lines quoted to show the blessedness of sanctuary; quoted with a serious sentimentality which left no room for their more startling significance. The writer drew a parallel between the ruffian sheltered by his church and the soldier sheltered by his flag, forgiven much wrong-doing for the sake of the standard under which he has served and suffered. But Mr. Browning’s murderer has not served the church. He is unforgiven, and, let us hope, eventually hanged. In the interval, however, he poses as a hero to the children, and as an object of lively interest to the pious and Mass-going Florentines. A lean monk praying on the altar steps would have awakened no sentiment in their hearts; yet even the frequency, the cheapness of crime failed to rob it of its lustre. It was not without reason that Plutarch preferred to write of wicked men. He had the pardonable desire of an author to be read.

In these less vivid days we are seldom brought into such picturesque contact with assassins. The majesty of the law is strenuously exerted to shield them from open adulation. We have grown sensitive, too, and prone to consider our own safety, which we call the welfare of the public. Some of us believe that criminals are madmen, or sick men, who should be doctored rather than punished. On the whole, our emotions are too complex for the straightforward enjoyment with which our robust ancestors contemplated—and often committed—deeds of violence. Murder is to us no longer as

... a dish of tea,

And treason, bread and butter.

We have ceased to stomach such sharp condiments.

Yet something of the old glamour, the glamour with which the Serpent beguiled Eve, still hangs about historic sins, making them—as Plutarch knew—more attractive than historic virtues. Places consecrated to the memory of crime have so keen an interest that travellers search for them painstakingly, and are often both grieved and indignant because some blood-soaked hovel has not been carefully preserved by the ungrateful community which harboured—and hanged—the wretch who lived in it. I met in Edinburgh a disappointed tourist,—a woman and an American,—who had spent a long day searching vainly for the house in which Burke and Hare committed their ghastly murders, and for the still more hideous habitation of Major Weir and his sister. She had wandered for hours through the most offensive slums that Great Britain has to show; she had seen and heard and smelt everything that was disagreeable; she had made endless inquiries, and had been regarded as a troublesome lunatic; and all that she might look upon the dilapidated walls, behind which had been committed evils too vile for telling. And this in Edinburgh, the city of great and sombre tragedies, where Mary Stuart held her court, and Montrose rode to the scaffold. With so many dark pages in her chronicles, one has scant need to burrow for ignoble guilt.