Their trampling sounded nearer,”—
and called out excitedly, “Don’t you hear the horses?” She, at least, heard them as if with the swift apprehension of fear, heard them loud above the sounds of winds and waters, and rendered her unconscious tribute of praise to the sympathetic selection of words.
There is, as we know, a great deal of poetry written every year for childish readers. Some of it makes its appearance in Christmas books, which are so beautifully bound and illustrated that the little foolish, feeble verses are forgiven, and in fact forgotten, ignored altogether amid more important accessories. Better poems than these are published in children’s periodicals, where they form a notable feature, and are, I dare say, read by the young people whose tastes are catered to in this fashion. Those of us who are familiar with these periodicals—either weeklies or monthlies—are well aware that the verses they offer may be easily divided into three classes. First, mere rhymes and jingles, intended for very little readers, and with which it would be simple churlishness to quarrel. They do not aspire to be poetry, they are sometimes very amusing, and they have an easy swing that is pleasant alike to young ears and old. It must be a hard heart that does not sympathize with the unlucky and ill-mated gnome who was
“full of fun and frolic,
But his wife was melancholic;”
or with the small damsel in pigtail and pinafore who comforts herself at the piano with this engaging but dubious maxim:—
“Practicing is good for a good little girl;
It makes her nose straight, and it makes her hair curl.”
The second kind of verse appears to be written solely for the sake of the accompanying illustration, and is often the work of the illustrator, who is more at home with his pencil than his pen. Occasionally it is comic, occasionally sentimental or descriptive; for the most part it is something in this style:—
THE ELF AND THE BUMBLE BEE.