The same sentiments are put, it may be remembered, into admirable prose when Graham of Claverhouse expounds to Henry Morton his views on living and dying. At present, Philosophy and Philanthropy between them are hustling poor Glory into a small corner of the field. Even to the soldier, we are told, it should be a secondary consideration, or perhaps no consideration at all, his sense of duty being a sufficient stay. But Scott, like Homer, held somewhat different views, and absolutely declined to let “that jade Duty” have everything her own way. It is the plain duty of Blount and Eustace to stay by Clare’s side and guard her as they were bidden, instead of which they rush off, with Sir Walter’s tacit approbation, to the fray.
“No longer Blount the view could bear:
‘By heaven and all its saints! I swear
I will not see it lost!
Fitz-Eustace, you with Lady Clare
May bid your beads and patter prayer,—
I gallop to the host.’”
It was this cheerful acknowledgment of human nature as a large factor in life which gave to Scott his genial sympathy with brave, imperfect men; which enabled him to draw with true and kindly art such soldiers as Le Balafré, and Dugald Dalgetty, and William of Deloraine. Le Balafré, indeed, with his thick-headed loyalty, his conceit of his own wisdom, his unswerving, almost unconscious courage, his readiness to risk his neck for a bride, and his reluctance to marry her, is every whit as veracious as if he were the over-analyzed child of realism, instead of one of the many minor characters thrust with wanton prodigality into the pages of a romantic novel.
Alone among modern poets, Scott sings Homerically of strife. Others have caught the note, but none have upheld it with such sustained force, such clear and joyous resonance. Macaulay has fire and spirit, but he is always too rhetorical, too declamatory, for real emotion. He stirs brave hearts, it is true, and the finest tribute to his eloquence was paid by Mrs. Browning, who said she could not read the “Lays” lying down; they drew her irresistibly to her feet. But when Macaulay sings of Lake Regillus, I do not see the battle swim before my eyes. I see—whether I want to or not—a platform, and the poet’s own beloved schoolboy declaiming with appropriate gestures those glowing and vigorous lines. When Scott sings of Flodden, I stand wraith-like in the thickest of the fray. I know how the Scottish ranks waver and reel before the charge of Stanley’s men, how Tunstall’s stainless banner sweeps the field, and how, in the gathering gloom,
“The stubborn spearmen still made good