Watch Yourself Go By

by Al. G. Field

The extra appeared, at first glance, as fat as the regular edition. When Baggy Allison tired, Stowe worked the press. He rolled, folded and fed until the extra edition was off the press and ready for distribution.

Among his printed matter was a quarter sheet, with the portraits of Thayer and Noyse, and a small amount of reading matter printed on one side only. He dug up a can of red ink from some unexplored recess where it had lain since the presidential campaign of 1860. He had three or four funny mule cuts. He wrote a funny line or two, made a rude cut resembling Hurd, informing the public that Hurd would ride the trick mule circus day. This bill was printed without the knowledge of Hurd. It was folded in the extra and thus distributed.

This fact makes valid Alfred's claim of another honor for Brownsville, namely: that the Brownsville Clipper was the first paper in this country to issue a colored supplement. Of course the word "supplement" was not in a newspaper's vocabulary at that time.

Another merit this supplement possessed, it was really humorous, and the humor was apparent, even to the people of that day, and that is more than the colored supplements of today can lay claim to.

Charley Stowe was not only the prime mover in all that pertained to the issuance of the extra but he hired a horse and buggy and a boy to assist Alfred in its distribution.

Brownsville was advertised as it had never been before. Charley Stowe following a precedent established by the first agent that ever traveled ahead of a show, promised many persons to return to Brownsville the day of the show. And, unlike the first agent and almost all agents in all times since, he kept his promise and came back.

It was a great day for Brownsville, it was a great day for Thayer and Noyse, it was a great day for Alfred. Charley Stowe had another faculty, shy in most agents, memory. He remembered the editor and the office force, particularly the latter. He gave Alfred his first sight of the inner sanctorum of the show world, namely, the dressing rooms. He introduced him to big, good-natured Dr. Thayer, to natty little Charley Noyse, to the elder Stickney and his talented son Bob, to J. M. Kelly, the long distance single somersault leaper, to little Jimmy Reynolds, the clown, to Mrs. Thayer and her charming daughter. It was the unfolding of the scenes of another world to the lad. His recollection of that day is as of a night of enchantment.

The circus had a very sick horse, a beautifully marked mare, sorrel and snow white with glass eyes, as they are termed. The beautiful creature was housed in the stable of the Marshall House. The animal was evidently one of value to the circus folk as many of them visited the stable; all seemed anxious as to the mare's recovery. After the afternoon performance, Dr. Thayer, his wife and daughter were in the stable administering to the sick horse. The circus man was completing arrangements to have the tavern keeper care for the mare and send her on to the show, if she were able to travel by the time the company reached Uniontown.

Isaac Vance assured the circus people that everything possible would be done for the mare, and turning to Alfred, laying both hands on the boy's shoulders, facing him toward Mr. Thayer, said: "And here's the lad who will take your mare to Uniontown. He can ride any horse or mule you have. You should have this boy with your show, he is an actor right. Our people swear by him, he can beat anything you have in the nigger minstrel line."

Then Alfred, with a freshness born of ignorance, said: "Yes, Mr. Thayer, you have a fine circus but your minstrels ain't much, not as good as those with Van Amberg's Menagerie, and everybody says so."