The boy had been so continually advised against evil associates that he began taking a mental inventory of every stranger at first meeting.
Harrison was his estimate of the bad; Mr. Steele of the good.
Alfred had arrived at that stage where he not only stood aside and watched himself go by, but he was also watching the other fellow go by.
He was out of newspaper business, out of the tannery, had abandoned the practice of medicine. Charley's father, who was very strict with his boys, advised the parent to "give Alfred more tether, not to stake him down too close. Give him a little more rope, there's something in that boy." All of which was communicated to Alfred by Cousin Charley, and Uncle Bill was thus greatly elevated in Alfred's estimation.
Alfred's father was little short of a genius in a mechanical way; he had a peculiar temperament, mild and easily influenced. He was a creditable artist; many meritorious paintings from his brush in both oil and water adorn the walls of the residences of his friends. He was greatly interested in mechanical pursuits, particularly if of an artistic character.
When Uncle Joe prepared to build a house, "Pap" made the plans; when Sells Brothers built a tableau car or an animal van of an elaborate character, "daddy" made the drawings; when Aunt Betsy desired patterns to make a quilt to take the premium at the fair, "pap" made the drawings or figures.
He became acquainted with an artist from Philadelphia and was completely taken with the man's talents. The artist informed him in confidence that he had expended the greater portion of his man life on a work of art that would astonish the world, the father became even more interested in him.
The father was the only person who had ever been permitted to look upon the wonderful creation of his genius; yard after yard of art was unwound for the admiration of the father. When he returned from his second visit to the art gallery of the Philadelphia artist, he interested the family greatly by his description of the wonderful scenes the painter had wrought on the canvas.
The sufferings and privations endured by the man while creating his work seemed to make as profound an impression upon the father as the painting itself.
The father predicted that the talented painter would come into his own; the painting would be exhibited all over the world, admiring throngs would rush to see it to praise its incomparable beauties.